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Record Nr. |
UNINA9910821377103321 |
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Autore |
Rickels Laurence A |
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Titolo |
Ulrike Ottinger [[electronic resource] ] : the autobiography of art cinema / / Laurence A. Rickels |
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Pubbl/distr/stampa |
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Minneapolis, : University of Minnesota Press, c2008 |
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ISBN |
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Descrizione fisica |
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1 online resource (225 p.) |
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Disciplina |
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Soggetti |
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Motion picture producers and directors |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 197-207). |
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Nota di contenuto |
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CONTENTS; ACKNOWLEDGMENTS; A NOTE ON THE PHOTOGRAPHS; PREFACE; INTRODUCTION: ART/CINEMA, ART/JOURNALISM; 1. BOUNCING BIO; 2. SATANIC ARTS; 3. BETWEEN MEDIA; 4. HIT AND MISS; 5. OPERATION ART; 6. THE ART OF EVERYDAY LIFE; 7. JOHANNA'S ARK; OR, DOCUMENTARY FILM'S COVENANT WITH ART CINEMA; 8. REAL TIME TRAVEL; 9. I WAS THERE; 10. CURTAINS; 11. MY LAST INTERVIEW WITH ULRIKE OTTINGER; 12. TOTEM TABOO; 13. GOING APE; WORKS CITED |
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Sommario/riassunto |
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Since 1974, German filmmaker Ulrike Ottinger has created a substantial body of films that explore a world of difference defined by the tension and transfer between settled and nomadic ways of life. In many of her films, including Exile Shanghai, an experimental documentary about the Jews of Shanghai, and Joan of Arc of Mongolia, in which passengers on the Trans-Siberian Express are abducted by Mongolian bandits, she also probes the encounter with the other, whether exotic or simply unpredictable. In Ulrike Ottinger Laurence A. Rickels offers a series of sensitive and original analyses of Ottin |
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