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1. |
Record Nr. |
UNINA9910699239703321 |
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Titolo |
Recommended postearthquake evaluation and repair criteria for welded steel moment-frame buildings [[electronic resource] /] / SAC Joint Venture ; prepared for SAC Joint Venture Partnership by Guidelines Development Committee, Ronald O. Hamburger, Chair |
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Pubbl/distr/stampa |
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[Sacramento, Calif.] : , : SAC Joint Venture |
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[Washington, D.C.] : , : Federal Emergency Management Agency, , [2000] |
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Descrizione fisica |
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1 online resource (200 unnumbered pages) : illustrations |
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Soggetti |
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Joints (Engineering) |
Building, Iron and steel - Joints |
Fracture mechanics |
Earthquake resistant design - Standards |
Buildings - Repair and reconstruction |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from PDF title screen (FEMA, viewed Sept. 1, 2009). |
"June, 2000." |
"FEMA 352." |
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Nota di bibliografia |
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Includes bibliographical references. |
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2. |
Record Nr. |
UNINA9910821371303321 |
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Autore |
Lenain Thierry |
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Titolo |
Art forgery : the history of a modern obsession / / Thierry Lenain |
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Pubbl/distr/stampa |
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London, : Reaktion Books, 2011 |
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ISBN |
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1-86189-959-9 |
1-299-19079-0 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (386 p.) |
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Disciplina |
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Soggetti |
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Art - Forgeries - History |
Pictures - Copying - History |
Art - Expertising |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Art Forgery: The History of a Modern Obsession; Imprint page; Contents; Foreword; 1. The Symptoms of an Obsession; 2. Before the Age of Art Forgery; 3. Before the Age of the Obsession with Art Forgery; 4. Art Forgery as the Connoisseur's Nightmare; Conclusion: Fakes and the End of the World; References; Bibliography; Acknowledgements; Photo Acknowledgements; Index |
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Sommario/riassunto |
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With the recent advent of technologies that make detecting art forgeries easier, the art world has become increasingly obsessed with verifying and ensuring artistic authenticity. In this unique history, Thierry Lenain examines the genealogy of faking and interrogates the anxious, often neurotic, reactions triggered in the modern art world by these clever frauds. Lenain begins his history in the Middle Ages, when the issue of false relics and miracles often arose. But during this time, if a relic gave rise to a cult, it would be considered as genuine even if |
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