| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910458974603321 |
|
|
Autore |
Haukkala Hiski |
|
|
Titolo |
The EU- Russia strategic partnership : the limits of post-sovereignty in international relations / / Hiski Haukkala |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
London ; ; New York : , : Routledge, , 2010 |
|
|
|
|
|
|
|
ISBN |
|
1-135-15013-3 |
1-282-57015-3 |
9786612570155 |
0-203-85644-9 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (270 p.) |
|
|
|
|
|
|
Collana |
|
Routledge advances in international relations and global politics |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
|
|
Soggetti |
|
International relations |
Electronic books. |
European Union countries Relations Russia (Federation) |
Russia (Federation) Relations European Union countries |
European Union countries Foreign relations |
Russia (Federation) Foreign relations |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Book Cover; Title; Copyright; Contents; Illustrations; Preface; Acknowledgements; Abbreviations and acronyms; 1 Introduction; 2 Theoretical complementarity and multi-causal social mechanisms in the study of International Relations; 3 Theorizing EU-Russia institutionalized interaction; 4 Multi-method analysis in a study of international institutionalization; 5 Establishing the baseline: Negotiating the Partnership and Cooperation Agreement, 1992-94; 6 Comparing the strategy documents; 7 The Second Chechen War; 8 The Four Common Spaces; 9 The Northern Dimension; 10 Conclusions; Notes |
BibliographyIndex |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Why have the European Union and the Russian Federation encountered severe difficulties in developing their relationship? Why haven't the |
|
|
|
|
|
|
|
|
|
|
|
|
|
parties lived up to the initial promise and enthusiasm of the early 1990s?Beginning with the immediate aftermath of the dissolution of the Soviet Union, this book provides a practical answer to these questions whilst linking the issues to International Relations theorizing. Taking into account both the role of ideas and power, the book links the topic with three variants of mainstream theorizing: the English School, (neoliberal) institutionalism and |
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910821165603321 |
|
|
Autore |
Willis Holly |
|
|
Titolo |
Fast forward : the future(s) of the cinematic arts / / Holly Willis |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
London, [England] ; ; New York, [New York] : , : Wallflower Press, , 2016 |
|
©2016 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (201 pages) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Motion pictures and television |
Mass media and language |
Motion picture industry |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Frontmatter -- Contents -- Acknowledgments -- Introduction The State of Things -- Chapter 1. Past, Present, Future: Situating Post-Cinema -- Chapter 2. New Practices / New Paradigms -- Chapter 3. Live Cinema -- Chapter 4. Urban Screens / Screened Urbanism -- Chapter 5. Books to Watch, Films to Read, Stories to Touch: New Interfaces for Storytelling -- Chapter 6. Virtual Reality and the Networked Self -- Conclusion -- Notes -- Bibliography -- Index |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Cinema, the primary vehicle for storytelling in the twentieth century, is being reconfigured by new media in the twenty-first. Terms such as "worldbuilding," "virtual reality," and "transmedia" introduce new methods for constructing a screenplay and experiencing and sharing a story. Similarly, 3D cinematography, hypercinema, and visual effects |
|
|
|
|
|
|
|
|
|
|
require different modes for composing an image, and virtual technology, motion capture, and previsualization completely rearrange the traditional flow of cinematic production. What does this mean for telling stories? Fast Forward answers this question by investigating a full range of contemporary creative practices dedicated to the future of mediated storytelling and by connecting with a new generation of filmmakers, screenwriters, technologists, media artists, and designers to discover how they work now, and toward what end. From Chris Milk and Aaron Koblin's exploration of VR spherical filmmaking to Rebeca Méndez's projection and installation work exploring climate change to the richly mediated interactive live performances of the collective Cloud Eye Control, this volume captures a moment of creative evolution and sets the stage for imagining the future of the cinematic arts. |
|
|
|
|
|
| |