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Record Nr. |
UNINA9910821050303321 |
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Autore |
Freed-Thall Hannah |
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Titolo |
Spoiled distinctions : aesthetics and the ordinary in French modernism / / Hannah Freed-Thall |
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Pubbl/distr/stampa |
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New York, New York : , : Oxford University Press, , [2015] |
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©2015 |
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ISBN |
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0-19-046368-6 |
0-19-020104-5 |
0-19-020103-7 |
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Descrizione fisica |
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1 online resource (221 p.) |
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Disciplina |
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Soggetti |
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French literature - 20th century - History and criticism |
Modernism (Literature) - France |
Modernism (Aesthetics) - France |
Life in literature |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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""Cover""; ""Contents""; ""Acknowledgments""; ""Introduction""; ""Ordinary, Everyday, Quelconque""; ""Aesthetic Indistinction""; ""Beauty's Afterlives""; ""Road Map""; ""Part 1 Aesthetic Disorientation in Proust""; ""1. Prestige""; ""Synthetic Diamonds""; ""Proust's Newspaper""; ""Pastiche""; ""2. Babble""; """Zut, zut, zut, zut"""; """Little patch of yellow wall"""; """I began to sing my head off"""; """Bah!"""; """O sole mio"""; ""3. Nuance""; ""Too Close""; ""Dégradation""; ""Part 2 Mid-Century Experiments""; ""4. Profanation in Ponge""; ""Awkward""; """As such, nothing more""" |
""5. Sarraute's Bad Taste"""""It's beautiful, don't you think?"""; ""Inestimable Objects""; ""Too Sweet""; ""Afterword""; ""Notes""; ""References""; ""Index"" |
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Sommario/riassunto |
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'Spoiled Distinctions' charts 20th-century experiments in the aesthetics of the ordinary, arguing that Proust and his literary and philosophical successors (Francis Ponge, Nathalie Sarraute, Yasmina Reza, Pierre Bourdieu, and Roland Barthes, among others) multiply strategies for reading and valuing the everyday. These authors explore the |
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unsophisticated side of aesthetic experience. Alert to the ways in which the hunger for distinction shapes mundane acts of seeing and feeling, they strive to imagine less exclusive practices of art-making and of aesthetic perception. |
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