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1. |
Record Nr. |
UNINA9910820950303321 |
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Titolo |
AI at war : how big data, artificial intelligence, and machine learning are changing naval warfare / / edited by Sam J. Tangredi and George Galdorisi |
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Pubbl/distr/stampa |
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Annapolis, Maryland : , : Naval Institute Press, , [2021] |
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©2021 |
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ISBN |
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Descrizione fisica |
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1 online resource (xi, 451 pages) : illustrations |
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Disciplina |
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Soggetti |
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Artificial intelligence - Military applications - United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Sommario/riassunto |
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"AI at War is intended to provide a balanced and practical understanding for both national security professionals and the interested public of the application of AI to war fighting. Although the themes and findings of the chapters are generally applicable across the U.S. Department of Defense (DoD), to include all Services, Joint Staff and defense agencies, as well as allied and partner ministries of defense/defence, it is a case study of war fighting functions in the Naval Services-the United States Navy and United States Marine Corps"-- |
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2. |
Record Nr. |
UNINA9910969422703321 |
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Autore |
Pendle Karin <1939-2020, > |
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Titolo |
Women in music : a research and information guide / / Karin Pendle and Melinda Boyd |
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Pubbl/distr/stampa |
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New York : , : Routledge, , 2010 |
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ISBN |
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1-135-84813-0 |
1-283-53300-6 |
9786613845450 |
0-203-89120-1 |
1-135-84814-9 |
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Edizione |
[2nd ed.] |
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Descrizione fisica |
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1 online resource (869 p.) |
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Collana |
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Routledge music bibliographies |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Women musicians |
Feminism and music |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and indexes. |
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Nota di contenuto |
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WOMEN IN MUSIC: A RESEARCH AND INFORMATION GUIDE; Copyright; Contents; Acknowledgments; Authors of Annotations; List of Abbreviations; 1 Reference Works; 2 Music Histories of Women; 3 Collections of Essays; 4 Feminist Methods and Viewpoints in Music; 5 Issues of Sexuality; 6 Music Education and Training; 7 Careers in Music; 8 Women's Financial Support of Music and Musicians; 9 Historical Periods; Ancient Times; The Middle Ages; The Early Modern Period; The Nineteenth Century; The Twentieth Century; 10 Ethnomusicology; 11 Countries and Geographical Areas; Afghanistan; Africa; Albania; Algeria |
ArgentinaAustralia/New Zealand; Austria; Azerbaijan; Bali; The Balkans; Brazil; Canada; The Caribbean; Chile; China; Colombia; Corsica; Cuba; Ecuador; Egypt; England; Estonia; Ethiopia; Europe; Fiji; Finland; France; Georgia; Germany; Ghana; Greece; Guatemala; Gulf States; Hungary; India; Indonesia; Iraq; Israel; Italy; Jamaica; Japan; Java; Kenya; Korea; Latin America; Liberia; Malawi; Malaysia; Mali; Malta; Mexico; The Middle East; Morocco; Nepal; The Netherlands; Nicaragua; Nigeria; Poland; Portugal; Puerto Rico; Romania; Russia; Scandinavia; Scotland; |
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Solomon Islands; South Africa; Spain |
Sri LankaSudan; Sweden; Taiwan; Thailand; Tonga; Trinidad; Tunisia; Turkey; Uganda; The United States: General; The United States: African American; The United States/Canada: Native Americans/First Nations; Venezuela; Vietnam; Zanzibar; Zimbabwe; 12 Music for Stage and Film; 13 Women in Rock and Pop; 14 Women in Blues and Jazz; 15 Women in Country, Folk, and Gospel; 16 Individuals; 17 Two or More Individuals; Index of Names; Index of Authors, Editors, and Translators; Index of Subjects |
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Sommario/riassunto |
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Women in Music: A Research and Information Guide is an annotated bibliography emerging from more than twenty-five years of feminist scholarship on music. This book testifies to the great variety of subjects and approaches represented in over two decades of published writings on women, their work, and the important roles that feminist outlooks have played in formerly male-oriented academic scholarship or journalistic musings on women and music. |
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