VVarachtige tijdinge van de grooten slach ende victorie die den coninck van Vranckerijck ghedaen ende vercreghen heeft, teghens die van Guyse ende de Lygeurs [[electronic resource]]

• Record Nr.: UNINA9910482450103321
• Autore: Anon
• Pubbl/distr/stampa: Dordrecht, : Jan Canin, 1590
• Descrizione fisica: Online resource (4°)
• Lingua di pubblicazione: Olandese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Reproduction of original in Koninklijke Bibliotheek, Nationale bibliotheek van Nederland.

The culture of photography in public space / / edited by Anne Marsh, Melissa Miles and Daniel Palmer

• Record Nr.: UNINA9910820945803321
• Pubbl/distr/stampa: Bristol : , : Intellect, , 2015
• ISBN: 1-78320-460-5
• Descrizione fisica: 1 online resource (196 p.)
• Collana: Intellect books - critical photography
• Disciplina: 770
• Soggetti: Photography - Political aspects; Photography - Social aspects
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references.
• Nota di contenuto: Cover; Half-title; Copyright; Title; Contents; Foreword; Acknowledgements; Introduction; REFERENCES; NOTES; Chapter 1: Standing on Shifting Ground: Privacy and Photography in Public; INTRODUCTION; THE "RIGHT" TO PRIVACY AND PHOTOGRAPHY; DEFINING PRIVACY; PRIVACY, THE INDIVIDUAL AND PHOTOGRAPHY; ; THE CAMERA, THE SELF AND PRIVACY; PHOTOGRAPHY AND ITS PUBLICS; CONCLUSION; REFERENCES; NOTES; Chapter 2: Tilt; Chapter 3: "No Credible Photographic Interest": Photography Restrictions and Surveillance in a Time of Terror; PHOTOGRAPHY AND ANXIETY: SURVEILLANCE AND CONTROL; NO CREDIBLE PHOTOGRAPHIC INTEREST: IF YOU SEE SOMETHING, SAY SOMETHINGPHOTOGRAPHY RESTRICTIONS AND THE STATUS OF THE CONTEMPORARY EXCEPTION; ARTISTIC AND POLITICAL RESPONSES; CONCLUSION; REFERENCES; NOTES; Chapter 4: Street View/Interface; Chapter 5: Bill Henson and the Polemics of the Nude Child in Photography; ART CONTROVERSIES ABOUT CHILDREN AND SEXUALITY; THE BILL HENSON CONTROVERSY; THE CASE AGAINST; THE CASE FOR; CHILDREN'S RIGHTS: PARTICIPATION VS. PROTECTION; PUBLIC SPACE: THE INVITATION AND THE INTERNET; GENDER, AUTHORSHIP AND PORNOGRAPHY; BEYOND BINARIES: GENDER AND ART BEYOND HENSONREFERENCES; NOTES; Chapter 6: The Sleepers and Trafalgar Square; Chapter 7: Criminalizing "Camera Fiends": Photography Restrictions in the Age of Digital Reproduction; "CAMERA FIENDS": PHOTOGRAPHY AND ANXIETY IN THE 1800s; ON "THINGS THAT NEED TO BE HIDDEN": THE PUBLIC AND THE PRIVATE; PHOTOGRAPHIC INJURIES; REFERENCES; NOTES; Chapter 8: In the Event of Amnesia the City will Recall; Chapter 9: The Face in Digital Space; FACIAL HISTORY; FACIAL VELOCITY; FACIAL VECTORIZATION; FACIAL PRIVATIZATION; REFERENCES; NOTES; Chapter 10: From Sixteen Google Street ViewsChapter 11: Google Street View and Photography in Public Space; GOOGLE STREET VIEW; PHOTOGRAPHIC RESPONSES TO STREET VIEW; JON RAFMAN: WITNESSING ON STREET VIEW; CONCLUSIONS; REFERENCES; NOTES; Further Reading; Contributors; BackCover