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Record Nr. |
UNINA9910820915003321 |
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Autore |
Philips Deborah <1954-> |
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Titolo |
Women's fiction, 1945-2005 : writing romance / / Deborah Philips |
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Pubbl/distr/stampa |
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London ; ; New York : , : Continuum, , [2006] |
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©2006 |
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ISBN |
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Descrizione fisica |
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1 online resource (169 p.) |
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Collana |
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Continuum literary studies series |
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Disciplina |
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Soggetti |
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English fiction - Women authors - History and criticism |
English fiction - 20th century - History and criticism |
English fiction - 21st century - History and criticism |
American fiction - Women authors - History and criticism |
American fiction - 20th century - History and criticism |
American fiction - 21st century - History and criticism |
Women - Books and reading |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (pages [146]-154) and index. |
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Nota di contenuto |
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Cover; Contents; Acknowledgements; Introduction; 1 What did Women Want?: Post-war Masculinity in the Woman's Novel of the 1950's; 2 'Mothers without Partners': The Single Mother Novel of the 1960's; 3 'She's Leaving Home': The College Novel of the 1970's; 4 Shopping as Work: The Sex and Shopping Novel of the 1980's; 5 Keeping the Home Fires Burning: The Aga-saga and the Domestic Romance of the 1990's; 6 Shopping for Men: The Single Woman Novel; 7 Resentful Daughters: The Post-feminist Novel?; 8 Afterword; Bibliography; Index; |
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Sommario/riassunto |
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Organised around each decade of the post war period, this book analyses novels written by and for women from 1945 to the present. Each chapter identifies a specific genre in popular fiction for women which marked that period and provides case studies focusing on writers and texts which enjoyed a wide readership. Despite their popularity, these novels remain largely outside the ''canon'' of women's writing, and are often unacknowledged by feminist literary criticism. However, these texts clearly touched a nerve with a largely female readership, |
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