1.

Record Nr.

UNINA9910820862703321

Autore

Chazin-Bennahum Judith

Titolo

The lure of perfection : fashion and ballet, 1780-1830 / / Judith Chazin-Bennahum

Pubbl/distr/stampa

New York, : Routledge, 2005

ISBN

1-135-87830-7

1-280-10683-2

0-203-99775-1

Edizione

[1st ed.]

Descrizione fisica

1 online resource (294 p.)

Disciplina

792

792.8/4

792.84

Soggetti

Ballet - Costume - France - History - 19th century

Ballet - Costume - France - History - 18th century

Fashion - Social aspects - France - History - 19th century

Fashion - Social aspects - France - History - 18th century

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references (p. 263-271) and index.

Nota di contenuto

Front Cover; The Lure of Perfection; Copyright Page; Contents; Captions; Acknowledgments; Preface: Violette Verdy; Introduction; Chapter 1. Setting the Stage: Aristocratic Fashion and Baroque Body Politics before the French Revolution; Chapter 2. Reformers and Philosophes as Forerunners of the Revolution in Fashion; Chapter 3. The Moderate and the Outrageous; Chapter 4. Neoclassicism: 1780-1820; Chapter 5. The Consulate (1799-1804) and the Empire (1804-1815) of NapoleĢon: Imperial Designs Pervade Street and Stage Fashion

Chapter 6. Restoration-One Bourbon Returns!: Louis XVIII and the Restoration (1815-1824)Chapter 7. Pale Goddesses on the Street during the Romantic Movement: Charles X Ruled France from 1824-1830; Chapter 8. The Kingdom of the Opera: Pale Goddesses on the Stage (1824-1830); Chapter 9. The Turning Point: "The Ballet of the Nuns" and La Sylphide; Chapter 10. The Dark Side of White; Conclusion; Endnotes; Chronology; Bibliography; Index

Sommario/riassunto

THE LURE OF PERFECTION: FASHION AND BALLET, 1780-1830 offers a



unique look at how ballet influenced contemporary fashion and women's body image, and how street fashions in turn were reflected by the costumes worn by ballet dancers. Through years of research, the author has traced the interplay between fashion, social trends, and the development of dance. During the 18th century, women literally took up twice as much space as men; their billowing dresses ballooned out from their figures, sometimes a full 55 inches, to display costly jewelry and fine brocade work; similar costumes appeared on st