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Record Nr. |
UNINA9910820681903321 |
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Titolo |
Approaches to meaning in music [[electronic resource] /] / edited by Byron Almén and Edward Pearsall |
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Pubbl/distr/stampa |
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Bloomington, : Indiana University Press, c2006 |
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ISBN |
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1-282-07298-6 |
9786612072987 |
0-253-11219-2 |
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Descrizione fisica |
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1 online resource (250 p.) |
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Collana |
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Musical meaning and interpretation |
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Disciplina |
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Soggetti |
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Music - Philosophy and aesthetics |
Music - Semiotics |
Musical analysis |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [215]-226) and index. |
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Nota di contenuto |
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The divining rod : on imagination, interpretation, and analysis / Edward Pearsall and Byron Almén -- Anatomy of a gesture : from Davidovsky to Chopin and back / Patrick McCreless -- Anti-teleological art : articulating meaning through silence / Edward Pearsall -- The troping of temporality in music / Robert S. Hatten -- A simple model for associative musical meaning / J. Peter Burkholder -- Uncanny moments : juxtaposition and the collage principle in music / Nicholas Cook -- The sacrificed hero : creative mythopoesis in Mahler's Wunderhorn symphonies / Byron Almén -- Contingencies of meaning in transcriptions and excerpts : popularizing Samson et Dalila / Jann Pasler. |
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Sommario/riassunto |
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Approaches to Meaning in Music presents a survey of the problems and issues inherent in pursuing meaning and signification in music, and attempts to rectify the conundrums that have plagued philosophers, artists, and theorists since the time of Pythagoras. This collection brings together essays that reflect a variety of diverse perspectives on approaches to musical meaning. Established music theorists and musicologists cover topics including musical aspect and temporality, collage, borrowing |
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