|
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910820589003321 |
|
|
Autore |
Finch Annie Ridley Crane |
|
|
Titolo |
The body of poetry : essays on women, form, and the poetic self / / Annie Finch |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Ann Arbor : , : University of Michigan Press, , c2005 |
|
|
|
|
|
|
|
ISBN |
|
1-282-59380-3 |
9786612593802 |
0-472-02558-9 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (192 p.) |
|
|
|
|
|
|
Collana |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Poetry - Authorship |
Women and literature |
Self in literature |
Literary form |
Poetry |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di contenuto |
|
Contents; Dedication; A Horse with Two Wings; A Horse with Two Wings: A Note on Criticism and Poetics; Metrical Diversity; Metrical Subversions: Prosody, Poetry, and My Affair with the Amphibrach; A Carol for Carolyn; Langpo, Pomo, Newfo; Omniformalism: A Manifesto; The Body of Poetry; The Body of Poetry; Liturgy; Walk with Me: On Poetry and Music; Passion in Translation: Louise Labé; Sonnet 18 "Kiss Me Again": by Louise Labé; H. D., "Imagiste"?; Technology and Inspiration: Introduction to A Poet's Craft; Poetics: A Taxonomy; Repetition, Repetition; How to Create a Poetic Tradition |
How to Create a Poetic TraditionMother Dickinson; Letter for Emily Dickinson ; The Heart of Phillis Wheatley; Unnecessary Burdens: Cooper, Glück, Graham; Carolyn Kizer and the Chain of Women; My Teasdale Talisman; Female Tradition as Feminist Innovation; Confessions of a Postmodern Poetess; Coherent Decentering; Desks; Stein the Romantic, Mallarmé the Radical; Victorian Voice-Making and the Contemporary Poet; Confessions of a Postmodern Poetess; A Many-Sounding Sea; Dactylic Meter: A Many-Sounding Sea; A Rock in the River: Maxine |
|
|
|
|
|
|
|
|
|
|
Kumin's Rhythmic Countercurrents; The Ghost of Meter Revisited |
Making Shattered Faces Whole: The Metrical Code in Audre LordeIn Defense of Meter; Limping Prosody; Forms of Memory; John Peck's Hypnagogic Poetry; Encounter |
|
|
|
|
|
| |