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Record Nr. |
UNINA9910463182703321 |
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Titolo |
Among friends [[electronic resource] ] : engendering the social site of poetry / / edited by Anne Dewey and Libbie Rifkin |
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Pubbl/distr/stampa |
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Iowa City, : University of Iowa Press, 2013 |
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ISBN |
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Descrizione fisica |
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1 online resource (285 p.) |
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Collana |
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Contemporary North American poetry series |
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Altri autori (Persone) |
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DeweyAnne Day |
RifkinLibbie |
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Disciplina |
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Soggetti |
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American poetry - 20th century - History and criticism |
American poetry - 21st century - History and criticism |
Poetry - Authorship - Social aspects |
Social networks - United States |
Mentoring of authors - United States |
Friendship |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction / Anne Dewey and Libbie Rifkin -- Friendship and Women's Poetic Careers. How You Want to Be Styled: Philip Whalen in Correspondence with Joanne Kyger, 1959-1964 / Linda Russo -- I Just Got Different Theories: Patti Smith and the Poetry Project at St. Mark's Church / Daniel Kane -- Community 2.0. Presence in the Poets' Polis: Hippie Phenomenology in Bolinas / Lytle Shaw -- When L=A: Language, Authorship, and Equality in L=A=N=G=U=A=G=E Magazine / Peter Middleton -- After Literary Community: The Grand Piano and the Politics of Friendship / Barrett Watten -- Between Friendship Network and Literary Movement: Flarf as a Poetics of Sociability / Maria Damon -- Inclinations. Jargon Society: The Remote Relations of Lorine Niedecker and Jonathan Williams / Ross Hair -- The Volley Maintained Nears Orgasm: Rae Armantrout, Ron Silliman, and the Cross-Gender Collaboration / Andrew Epstein -- In/Complete: Locating Origins of the Poet in Jennifer Moxley's In Memoriams to Helena Bennett / Ann Vickery -- Among Friends. Black Took Collective: On Intimacy & Origin / Duriel |
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E. Harris, Dawn Lundy Martin, and Ronaldo V. Wilson. |
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Sommario/riassunto |
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Philosophers and theorists have long recognized both the subversive and the transformative possibilities of friendship, the intimacy of which can transcend the impersonality of such identity categories as race, class, or gender. Unlike familial relations, friendships are chosen, opening a space of relative freedom in which to create and explore new identities. This process has been particularly valuable to poets marginalized by gender or sexuality since the second half of the twentieth century, as friendship provides both a buffer against and a wedge into predominantly male homosocial poe |
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2. |
Record Nr. |
UNINA9910820286503321 |
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Autore |
Gundle Stephen <1956-> |
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Titolo |
Mussolini's dream factory : film stardom in fascist Italy / / Stephen Gundle |
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Pubbl/distr/stampa |
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New York : , : Berghahn Books, , 2013 |
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ISBN |
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1-4619-5453-3 |
1-78238-245-3 |
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Descrizione fisica |
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1 online resource (336 p.) |
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Disciplina |
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Soggetti |
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Motion pictures - Italy - History - 20th century |
Motion picture actors and actresses - Italy |
Fascism and motion pictures - Italy - History |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction -- Fascism, cinema and stardom. Italian cinema under fascism -- The creation of a star system -- Stars and commercial culture -- The public and the stars -- Italian stars of the Fascist Era. The national star: Isa Miranda -- The matine idol: Vittorio De Sica -- Everybody's fiance: Assia Noris -- The star as hero: Amedeo Nazzari -- The uniformed role model: Fosco Giachetti -- The photogenic beauty: Alida Valli -- The Duce's whim: Miria Di San Servolo -- The aftermath of stardom. Civil war, liberation and reconstruction -- Survival, memory |
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Sommario/riassunto |
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This book offers the first extended analysis of film stardom in Fascist Italy, focusing on the period from the start of sound cinema to the final end of Fascism in 1945. The author examines the development of an Italian star system, evaluates its place in film production and distribution, and explores its relationships with the political sphere and with broader commercial culture. The popular press, along with other evidence, is used to assess the extent of public engagement with film stars. Several major stars, including Isa Miranda, Vittorio De Sica, Amedeo Nazzari and Alida Valli, are cl |
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