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1. |
Record Nr. |
UNINA9910453416703321 |
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Autore |
Duthie Torquil |
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Titolo |
Man'yőshű and the imperial imagination in early Japan / / by Torquil Duthie |
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Pubbl/distr/stampa |
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Leiden, Netherlands : , : Brill, , 2014 |
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©2014 |
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ISBN |
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Descrizione fisica |
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1 online resource (463 p.) |
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Collana |
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Brill's Japanese Studies Library, , 0925-6512 ; ; Volume 45 |
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Disciplina |
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Soggetti |
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Imperialism in literature |
Courts and courtiers in literature |
Politics and literature - Japan - History - To 1500 |
Political culture - Japan - History - To 1500 |
Japanese poetry - To 1185 - History and criticism |
Japanese literature - To 1185 - History and criticism |
Electronic books. |
Japan History 645-794 |
Japan Intellectual life To 1185 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Preliminary Material -- Introduction -- Chronology of Major Events in the Nihon Shoki and Shoku Nihongi Narratives -- 1 Yamato as Empire in the Sinoscript Sphere -- 2 The National Imaginings of Early Japan -- 3 The Imperial Configuration of Nihon -- 4 Imperial Historiography and the Narrative Politics of the Jinshin Rebellion -- 5 Poetry Anthology as Imperial History -- 6 The Voice of All under Heaven -- 7 Tenmu and the Yoshino Cult -- 8 The Tenmu Myth of Heavenly Descent -- 9 The Memory of the Ōmi Capital -- 10 The Fujiwara Sovereign -- Conclusion -- Bibliography -- Index. |
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Sommario/riassunto |
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In Man’yōshū and the Imperial Imagination in Early Japan , Torquil Duthie examines the literary representation of the late seventh-century Yamato court as a realm of \'all under heaven.” Through close readings of the early volumes of the poetic anthology Man’yōshū (c. eighth |
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century) and the last volumes of the official history Nihon shoki (c. 720), Duthie shows how competing political interests and different styles of representation produced not a unified ideology, but rather a “bundle” of disparate imperial imaginaries collected around the figure of the imperial sovereign. Central to this process was the creation of a tradition of vernacular poetry in which Yamato courtiers could participate and recognize themselves as the cultured officials of the new imperial realm. |
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2. |
Record Nr. |
UNINA9910150508603321 |
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Autore |
MacBird Bonnie |
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Titolo |
Arte en la sangre |
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Pubbl/distr/stampa |
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ISBN |
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Descrizione fisica |
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1 online resource (272 p.) |
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Lingua di pubblicazione |
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Formato |
Musica |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Londres. Un nevado diciembre de 1888. Sherlock Holmes, 34, languidece y ha vuelto a la coca na despu s de una desastrosa investigaci n del Destripador. Watson tampoco puede consolar ni animar a su amigo, hasta que una carta codificada extra amente llega desde Par s. Mlle La Victoire, una hermosa estrella francesa de cabaret escribe que su hijo ileg timo de un lord ingl s ha desaparecido, y ella ha sido atacada en las calles de Montmartre. Al llegar r pidamente a Par s con Watson a su lado, Holmes descubre que el ni o desaparecido es solamente la punta del iceberg de un problema mucho mayor. La estatua m s valiosa desde la Victoria Alada ha sido violentamente robada en Marsella, y varios ni os pertenecientes al molino de seda en Lancashire han sido encontrados muertos. Las pistas en los tres casos se alan a un nico hombre, intocable. Se recuperar a tiempo Will Holmes |
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para encontrar al ni o desaparecido y detener una oleada de asesinatos? Para hacerlo debe ir un paso adelante de un peligroso rival franc s y la amenazadora interferencia de su propio hermano, Mycroft. Esta ltima aventura, al estilo de Sir Arthur Conan Doyle, env a al ic nico d o desde Londres hasta Par s y a los fr os terrenos agrestes de Lancashire en un caso que prueba al l mite la amistad de Watson y la fragilidad y los talentos de la propia naturaleza art stica de Sherlock Holmes. |
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3. |
Record Nr. |
UNINA9910820220103321 |
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Autore |
Boone Elizabeth Hill |
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Titolo |
Descendants of Aztec Pictography : The Cultural Encyclopedias of Sixteenth-Century Mexico / / Elizabeth Hill Boone |
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Pubbl/distr/stampa |
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Austin, TX : , : University of Texas Press, , [2020] |
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©2020 |
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ISBN |
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Edizione |
[First edition.] |
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Descrizione fisica |
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1 online resource (261 pages) |
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Disciplina |
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Soggetti |
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Aztecs - Mexico - 16th century - History and criticism |
Aztecs - Mexico - 16th century - Authorship |
Aztecs - Mexico - 16th century |
Picture-writing - Mexico - 16th century |
Nahuatl language - Writing - History |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Intro -- Contents -- List of Figures -- List of Tables -- Acknowledgments -- Chapter 1. Paintings from the Past -- Chapter 2. Graphic Complexity in New Spain -- Chapter 3. The Encyclopedic Tradition in Europe -- Chapter 4. The Evangelical Project and Mendicant Investigators -- Chapter 5. Early Compilations: Codices Borbonicus and Mendoza -- Chapter 6. The Mid-Century Encyclopedias: Codices Telleriano-Remensis and Ríos and the Magliabechiano Group -- Chapter 7. Durán and Sahagún: Cumulative |
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Expositions of the Late Sixteenth Century -- Chapter 8. Memories in Figures -- Notes -- References Cited -- Index. |
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Sommario/riassunto |
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In the aftermath of the sixteenth-century Spanish conquest of Mexico, Spanish friars and authorities partnered with indigenous rulers and savants to gather detailed information on Aztec history, religious beliefs, and culture. The pictorial books they created served the Spanish as aids to evangelization and governance, but their content came from the native intellectuals, painters, and writers who helped to create them. Examining the nine major surviving texts, preeminent Latin American art historian Elizabeth Hill Boone explores how indigenous artists and writers documented their ancestral culture. Analyzing the texts as one distinct corpus, Boone shows how they combined European and indigenous traditions of documentation and considers questions of motive, authorship, and audience. For Spanish authorities, she shows, the books revealed Aztec ideology and practice, while for the indigenous community, they preserved venerated ways of pictorial expression as well as rhetorical and linguistic features of ancient discourses. The first comparative analysis of these encyclopedias, Descendants of Aztec Pictography analyzes how the painted compilations embraced artistic traditions from both sides of the Atlantic. |
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