|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910820078403321 |
|
|
Autore |
Shail Andrew <1978-> |
|
|
Titolo |
The cinema and the origins of literary modernism / / Andrew Shail |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
New York, : Routledge, 2012 |
|
New York : , : Routledge, , 2012 |
|
|
|
|
|
|
|
|
|
ISBN |
|
1-136-45515-9 |
0-203-12628-9 |
1-283-84267-X |
1-136-45516-7 |
|
|
|
|
|
|
|
|
Edizione |
[1st ed.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (269 p.) |
|
|
|
|
|
|
Collana |
|
Routledge interdisciplinary perspectives on literature ; ; 7 |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Motion pictures and literature |
English literature - 20th century - History and criticism |
Modernism (Literature) - Great Britain |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Cover; Title; Copyright; Dedication; Contents; Note on Presentation; List of Figures; Acknowledgments; Introduction: From 'The Cinematograph' to 'The Pictures'; 1 The Cinema of Narrative Integration, the Demise of Impressionism and the Rise of Modernism; 2 Cinema's Continuous Present and Modernist Temporality; 3 Mass Consciousness and Mass Cinema; Afterword: 'a picture feverishly turned'; Notes; Bibliography; Index |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Modernist writing has always been linked with cinema. The recent renaissance in early British film studies has allowed cinema to emerge as a major historical context for literary practice. Treating cinema as a historical rather than an aesthetic influence, this book analyzes the role of early British film culture in literature, thus providing the first account of cinema as a cause for modernism. Shail's study draws on little-known sources to create a detailed picture of cinema following its 'second birth' as both institution and medium. The book presents a comprehensive |
|
|
|
|
|
|
|