1.

Record Nr.

UNINA9910796641603321

Autore

Pötters Stephan

Titolo

Basiswissen Jura für die mündlichen Prüfungen : 1. und 2. Staatsexamen / / Stephan Pötters, Christoph Werkmeister

Pubbl/distr/stampa

Berlin, [Germany] ; ; Boston, [Massachusetts] : , : De Gruyter, , 2017

©2017

ISBN

3-11-053731-1

3-11-053703-6

Edizione

[2., überarbeitete Auflage.]

Descrizione fisica

1 online resource (178 pages)

Collana

De Gruyter Studium

Classificazione

LAW000000

Disciplina

340.09

Soggetti

Law - History

Lingua di pubblicazione

Tedesco

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references.

Nota di contenuto

Frontmatter -- Vorwort zur 6. Auflage -- Vorwort zur 1. Auflage -- Inhaltsübersicht -- Inhaltsverzeichnis -- §1. Einleitung -- §2. Lern- und Recherchetipps -- §3. Rechtsgeschichte -- §4. Die Instanzenzüge -- §5. Wichtige Gerichte -- §6. Verfahrensgrundsätze -- §7. Verfassungsrechtliche Grundentscheidungen und Staatszielbestimmungen des GG -- §8. Häufige Fragen zu den drei Rechtsgebieten -- §9. Leiturteile -- §10. Fragen zu Abläufen in der Praxis -- §11. Juristische Methodik -- §12. Liste lateinischer Begriffe und Sentenzen -- §13. Der Vortrag -- §14. Übungsvorträge

Sommario/riassunto

Das Werk vermittelt das notwendige Basiswissen, das für die mündliche Prüfung beherrscht werden sollte. Die Darstellung bezieht sich auf alle Rechtsgebiete, wobei das vermittelte Wissen für das Referendar- wie das Assessorexamen gleichermaßen relevant ist. In der 6. Auflage sind alle Kapitel auf dem neuesten Stand: Mit aktuellem Wissen in die mündliche Prüfung!

This work imparts the basic knowledge students must master to pass the oral examinations. The discussion covers all areas of the law, and the information provided is equally relevant for the First and Second State Examinations in the Law. For the 6th edition, all chapters have been brought fully up to date, ensuring the reader will enter the oral examination armed with the latest knowledge.



2.

Record Nr.

UNINA9910819923603321

Autore

Munos Delphine

Titolo

After melancholia : a reappraisal of second-generation diasporic subjectivity in the work of Jhumpa Lahiri / / Delphine Munos

Pubbl/distr/stampa

Amsterdam : , : Rodopi, , 2013

ISBN

94-012-0991-X

Descrizione fisica

1 online resource (278 p.)

Collana

Cross cultures : readings in post/colonial literatures and cultures in English ; ; 169

Disciplina

813.54

Soggetti

Emigration and immigration in literature

Subjectivity in literature

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographic references (pages 207-218) and index.

Nota di contenuto

Preliminary Material -- Diaspora’s Hereafters -- Revenant Melancholy -- Dead Mothers and Hauntings -- The Future of Diaspora -- Conclusion -- Works Cited -- Index.

Sommario/riassunto

Mindful of the tunnel vision sometimes created by the privileging of ‘hybridity talk’ and matters of culture in discussions of texts by minority writers, Delphine Munos in After Melancholia reads the work of the Bengali-American celebrity author Jhumpa Lahiri against the grain, by shifting the ground of analysis from the cultural to the literary. With the help of psychoanalytic theories ranging from Sigmund Freud through André Green and Nicolas Abraham to Jean Laplanche, this study re-evaluates the complexity of Lahiri’s craft and offers major insights into the author’s representation of second-generation diasporic subjectivity – an angle hitherto neglected by critics working from the narrower theoretical boundaries of transnationalism, diaspora studies, postcolonial theory, and Asian-American studies alike. Via interdisciplinary incursions into the domains of literary and psychoanalytic criticism, as well as into those of trauma and diaspora studies, Munos takes up “Hema and Kaushik,” the triptych of short stories included in Unaccustomed Earth (2008), as exemplary texts in which Lahiri redefines notions of belonging and arrival regarding the Bengali-American second generation, not in terms of cultural assimilation – which would hardly make sense for characters born in



the USA in the first place – but in terms of a resymbolization of the gaps in the parents’ migrant narratives. Munos’ in-depth reading of Lahiri’s trilogy is concerned with exploring how “Hema and Kaushik” signifies on the absent presences haunting transgenerational relationships within the US diasporic family of Bengali descent. Bringing to the forefront such ‘negative’ categories as the gap, the absent, the unsaid, the melancholically absented mother, After Melancholia reveals that the second-generation ‘Mother Diaspora’ is no less haunting than her first-generation counterpart, ‘Mother India’. Calling for a re-assessment of Lahiri’s work in terms of a dialectical relationship between (transgenerational) mourning and melancholia, Munos provides a compelling reading grid by means of which underrepresented aspects of the rest of Lahiri’s work, especially her novel The Namesake (2003), gain new visibility.