1.

Record Nr.

UNINA9910819663303321

Autore

Danto Arthur C. <1924->

Titolo

Andy Warhol / / Arthur C. Danto

Pubbl/distr/stampa

New Haven, : Yale University Press, c2009

ISBN

1-282-35201-6

9786612352010

0-300-15498-4

Edizione

[1st ed.]

Descrizione fisica

1 online resource (192 p.)

Collana

Icons of America

Disciplina

700.92

Soggetti

Art and society - United States - History - 20th century

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Frontmatter -- Contents -- Preface -- Acknowledgments -- A Note on Notes -- ONE. The Window at Bonwit's -- TWO. Pop, Politics, and the Gap Between Art and Life -- THREE. The Brillo Box -- FOUR. Moving Images -- FIVE. The First Death -- SIX. Andy Warhol Enterprises -- SEVEN. Religion and Common Experience -- Bibliography -- Index

Sommario/riassunto

In a work of great wisdom and insight, art critic and philosopher Arthur Danto delivers a compact, masterful tour of Andy Warhol's personal, artistic, and philosophical transformations. Danto traces the evolution of the pop artist, including his early reception, relationships with artists such as Jasper Johns and Robert Rauschenberg, and the Factory phenomenon. He offers close readings of individual Warhol works, including their social context and philosophical dimensions, key differences with predecessors such as Marcel Duchamp, and parallels with successors like Jeff Koons. Danto brings to bear encyclopedic knowledge of Warhol's time and shows us Warhol as an endlessly multidimensional figure-artist, political activist, filmmaker, writer, philosopher-who retains permanent residence in our national imagination.Danto suggests that "what makes him an American icon is that his subject matter is always something that the ordinary American understands: everything, or nearly everything he made art out of came straight out of the daily lives of very ordinary Americans. . . . The tastes and values of ordinary persons all at once were inseparable from



advanced art."