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Record Nr. |
UNINA9910819599103321 |
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Autore |
Caselli Daniela |
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Titolo |
Beckett's Dantes [[electronic resource] ] : intertextuality in the fiction and criticism / / Daniela Caselli |
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Pubbl/distr/stampa |
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Manchester, U.K. ; ; New York, : Manchester University Press |
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New York, : Distributed exclusively in the USA by Palgrave, c2005 |
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ISBN |
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1-78170-197-0 |
1-84779-365-7 |
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Descrizione fisica |
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1 online resource (241 p.) |
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Disciplina |
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Soggetti |
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Comparative literature - English and Italian |
Comparative literature - Italian and English |
Comparative literature - French and Italian |
Comparative literature - Italian and French |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [206]-225) and index. |
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Nota di contenuto |
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9780719071560; 9780719071560; Copyright Page; Contents; Acknowledgements; Introduction; Dantes in Limbo; Detecting Dante in Joyce; Recycling Dante in Proust; Belacqua does not observe 'the rule of the road'; There is no real Belacqua in Dream; Dante and Mr Beckett; Sordello is in the shade; Strata and mysteries: intratextuality in More Pricks Than Kicks; Quick deaths; Screechy flatfooted Tuscany peacocks; Fatigue and disgust: Murphy and Watt; Dante is kept out of sight: Murphy and the manuscripts; Addenda and excorporations; Who is the third beside you? Authority in Mercier and Camier |
Vague shadowy shapesNo quotes at any price; Déjà vu beyond reach: from the Novellas to the Three Novels; The calmative effect of one's classics; Odds and ends; Bits and scraps flickering on and off; Staging the Inferno in How It Is; A voice comes to one in the dark; 'E fango è il mondo': the Inferno performed; Geometries of passion; The witness and the scribe; 'In the words of the poet': The Lost Ones; Ravening eyes; Closed places; The sun and other stars would still be shining; Conclusion Farewell to the old lutist; Bibliography; Index |
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Sommario/riassunto |
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Beckett's Dantes: Intertextuality in the fiction and criticism is the first |
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