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1. |
Record Nr. |
UNISALENTO991003851349707536 |
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Autore |
Brook, Peter |
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Titolo |
The empty space / Peter Brook |
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Pubbl/distr/stampa |
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London : Penguin Books, 1988 |
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ISBN |
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Descrizione fisica |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910811391303321 |
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Autore |
Becker Matthias <1933-1974, > |
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Titolo |
Lukas und Dion Von Prusa : das Lukanische doppelwerk im kontext paganer bildungsdiskurse / / Matthias Becker |
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Pubbl/distr/stampa |
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Paderborn, Germany : , : Verlag Ferdinand Schöningh, , [2020] |
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©2020 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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Collana |
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Studies in Cultural Contexts of the Bible ; 3 |
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Disciplina |
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Soggetti |
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Education, Ancient |
Academic Dissertation |
Academic theses. |
Criticism, interpretation, etc. |
Thèses et écrits académiques. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Front Matter -- Copyright page -- Vorwort -- Das Unterfangen -- Das Doppelwerk im Kontext rhetorischer Bildungsthemen -- Das Doppelwerk im Kontext ethischer Bildungsthemen -- Das Doppelwerk im Kontext theologischer Bildungsthemen -- Fazit -- Back Matter -- Abkürzungen -- Verzeichnis der Hilfsmittel -- Quellenverzeichnis -- Literaturverzeichnis -- Stellenregister (in Auswahl) -- Namens- und Ortsregister -- Sachregister. |
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Sommario/riassunto |
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Der Verfasser des lukanischen Doppelwerks zählt unangefochten zu den gebildetsten neutestamentlichen Autoren. Doch inwiefern lassen sich seine Texte auch in die paganen Gebildetendiskurse seiner Zeit einordnen? Matthias Becker geht dieser Frage auf breiter Quellenbasis nach, indem er erstmals das Lukasevangelium und die Apostelgeschichte zu den Schriften des Redners und philosophischen Wanderpredigers Dion von Prusa in Beziehung setzt. Mittels vergleichender Begriffs - und Motivanalysen, verschränkter Lektüren und eines heuristischen Leserkonstrukts arbeitet die Studie diskursive Überschneidungen hinsichtlich rhetorischer, ethischer und theologischer Themen heraus. So wird nicht nur ein neuer Blick auf die Inkulturation des lukanischen Christentums möglich. Die Partizipation an zeitgenössischen Bildungsdiskursen lässt vielmehr auch die Konturen einer Bildungsreligion erkennen, die sich im Doppelwerk ein frühes Denkmal setzt. |
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3. |
Record Nr. |
UNINA9910819399103321 |
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Autore |
Colbert Soyica Diggs <1979-> |
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Titolo |
The African American theatrical body : reception, performance, and the stage / / Soyica Diggs Colbert [[electronic resource]] |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 2011 |
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ISBN |
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1-107-22980-4 |
1-139-15311-0 |
1-283-34264-2 |
9786613342645 |
1-139-16069-9 |
1-139-16169-5 |
1-139-15612-8 |
1-139-15788-4 |
1-139-15964-X |
1-139-02724-7 |
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Descrizione fisica |
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1 online resource (xiii, 329 pages) : digital, PDF file(s) |
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Disciplina |
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Soggetti |
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American literature - African American authors - History and criticism |
African Americans in literature |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 05 Oct 2015). |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Overture: rites that render repairing: Suzan-Lori Parks' The America Play -- 1. Repetition/reproduction: the DNA of black expressive culture: Lorraine Hansberry's A Raisin in the Sun -- 2. Recuperating black diasporic history: W.E.B. Du Bois' The Star of Ethiopia -- 3. Reenacting the Harlem Renaissance: Zora Neale Hurston's Color Struck -- 4. Resisting shame, offering praise and worship: Langston Hughes's Tambourines to Glory -- 5. Resisting death: the blues bravado of a ghost: James Baldwin's Blues for Mister Charlie -- 6. Rituals of repair: Amiri Baraka's Slave Ship and August Wilson's Joe Turner's Come and Gone -- 7. Reconstitution: Suzan-Lori Parks' Topdog/Underdog --Epilogue: Black movements: Tarell Alvin McCraney's In the Red and Brown Water. |
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Sommario/riassunto |
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Presenting an innovative approach to performance studies and literary history, Soyica Colbert argues for the centrality of black performance traditions to African American literature, including preaching, dancing, blues and gospel, and theatre itself, showing how these performance traditions create the 'performative ground' of African American literary texts. Across a century of literary production using the physical space of the theatre and the discursive space of the page, W. E. B. Du Bois, Zora Neale Hurston, James Baldwin, August Wilson and others deploy performances to re-situate black people in time and space. The study examines African American plays past and present, including A Raisin in the Sun, Blues for Mister Charlie and Joe Turner's Come and Gone, demonstrating how African American dramatists stage black performances in their plays as acts of recuperation and restoration, creating sites that have the potential to repair the damage caused by slavery and its aftermath. |
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