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Record Nr. |
UNINA9910819305603321 |
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Autore |
Dirst Matthew |
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Titolo |
Engaging Bach : the keyboard legacy from Marpurg to Mendelssohn / / Matthew Dirst [[electronic resource]] |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 2012 |
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ISBN |
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1-107-22443-8 |
1-139-33392-5 |
1-280-39381-5 |
9786613571731 |
1-139-33728-9 |
1-139-33973-7 |
1-139-34131-6 |
1-139-33641-X |
1-139-33815-3 |
1-139-02790-5 |
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Descrizione fisica |
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1 online resource (xiii, 186 pages) : digital, PDF file(s) |
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Collana |
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Musical performance and reception |
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Classificazione |
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Disciplina |
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Soggetti |
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Keyboard instrument music - 18th century - History and criticism |
Music - 18th century - History and criticism |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 05 Oct 2015). |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Part I. The posthumous reassessment of selected works. Why the keyboard works? ; Inventing the Bach chorale ; What Mozart learned from Bach -- Part II. Divergent streams of reception in the early nineteenth century ; A bürgerlicher Bach : turn-of-the-century German advocacy ; The virtuous fugue : English reception to 1840 ; Bach for whom? Modes of interpretation and performance, 1820-1850. |
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Sommario/riassunto |
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More than any other part of Bach's output, his keyboard works conveyed the essence of his inimitable art to generations of admirers. The varied responses to this repertory - in scholarly and popular writing, public lectures, musical composition and transcription, |
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performances and editions - ensured its place in the canon and broadened its creator's appeal. The early reception of Bach's keyboard music also continues to affect how we understand and value it, though we rarely recognize that historical continuity. Here, Matthew Dirst investigates how Bach's music intersects with cultural, social and music history, focusing on a repertory which is often overshadowed in scholarly and popular literature on Bach reception. Organized around the most productive ideas generated by Bach's keyboard works from his own day to the middle of the nineteenth century, this study shows how Bach's remarkable and long-lasting legacy took shape amid critical changes in European musical thought and practice. |
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