|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910818810803321 |
|
|
Autore |
Clemen Wolfgang |
|
|
Titolo |
The Development of Shakespeare's Imagery |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Hoboken, : Taylor and Francis, 2013 |
|
London ; ; New York : , : Routledge, , 2005 |
|
|
|
|
|
|
|
|
|
ISBN |
|
0-203-70847-4 |
1-299-47778-X |
1-135-03286-6 |
|
|
|
|
|
|
|
|
Edizione |
[1st ed.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (251 p.) |
|
|
|
|
|
|
Collana |
|
Routledge library editions. Shakespeare ; ; v. 9 |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
English |
Languages & Literatures |
English Literature |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Cover; THE DEVELOPMENT OF SHAKESPEARE'S IMAGERY; Title Page; Copyright Page; Table of Contents; PREFACE BY THE AUTHOR: LOOKING BACK OVER FORTY YEARS; I. INTRODUCTION; 2. IMAGERY IN THE HISTORY OF SHAKESPEARE CRITICISM; PART I THE DEVELOPMENT OF IMAGERY IN THE PLAYS OF SHAKESPEARE'S EARLY AND MIDDLE PERIOD; 3· Titus Andronicus; 4· THE EARLY COMEDIES; 5· Henry VI; 6. Richard III; 7· Richard II; 8. Romeo and Juliet; 9· LANGUAGE AND IMAGERY IN SHAKESPEARE'S MIDDLE PERIOD; 10. THE DRAMATIC FUNCTION OF THE IMAGES IN PLAYS OF THE MIDDLE PERIOD |
PART II THE DEVELOPMENT OF IMAGERY IN SHAKESPEARE'S GREAT TRAGEDIES11. INTRODUCTORY; 12. Hamlet; 13· Othello; 14· King Lear; 15· Coriolanus; 16. Antony and Cleopatra; 17· Timon of Athens; PART III THE IMAGERY IN THE ""ROMANCES""; 18. INTRODUCTORY; 19. The Tempest; 20. The Winter's Tale; 21. Cymbeline; PART IV SUMMARY AND CONCLUSION; SUMMARY AND CONCLUSION; SELECT BIBLIOGRAPHY; INDEX |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
First published in 1951. The edition reprints the second, updated, edition, of 1977. When first published this book quickly established itself as the standard survey of Shakespeare's imagery considered as an |
|
|
|
|