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1. |
Record Nr. |
UNINA9910813947303321 |
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Titolo |
Advances in aquaculture hatchery technology / / edited by Geoff Allan and Gavin Burnell |
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Pubbl/distr/stampa |
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Cambridge : , : Woodhead Publishing, , 2013 |
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ISBN |
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Descrizione fisica |
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1 online resource (xxxiv, 645 pages, 2 unnumbered pages of plates) : illustrations (some color), maps |
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Collana |
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Woodhead Publishing series in food science, technology and nutrition ; ; no. 242 |
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Disciplina |
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Soggetti |
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Aquaculture - Research |
Fishes - Breeding |
Fish hatcheries |
Fishery resources - Hatchery vs. wild stocks |
Fishery management |
Seafood |
Biotechnology |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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part I. Reproduction and larval rearing -- part II. Closing the life-cycle and overcoming challenges in hatchery production for selected invertebrate species -- part III. Closing the life-cycle and overcoming challenges in hatchery production for selected fish species -- part IV. Aquaculture hatcheries for conservation and education. |
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Sommario/riassunto |
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For seafood production to meet expected demand from a growing global population, many more millions of tons of seafood will need to be produced. The expectations for increased product from capture fisheries is limited, so this rise in production will have to come from aquaculture, one of the fastest growing food producing sectors in the world. A primary constraint to the continuing growth of aquaculture is the supply of juveniles from hatcheries -- |
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2. |
Record Nr. |
UNINA9910818783503321 |
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Autore |
Rodowick David Norman |
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Titolo |
Elegy for theory / / D.N. Rodowick |
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Pubbl/distr/stampa |
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Cambridge, Massachusetts ; ; London, England : , : Harvard University Press, , 2014 |
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©2014 |
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ISBN |
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0-674-72701-0 |
0-674-72608-1 |
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Descrizione fisica |
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1 online resource (304 p.) |
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Classificazione |
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Disciplina |
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Soggetti |
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Motion pictures - Philosophy |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front matter -- Contents -- In Place of Beginning ... -- 1. A Compass in a Moving World -- 2. Many Lines of Descent -- 3. Theoria as Practical Philosophy -- 4. The Sage Is Wise Only in Theory -- 5. Variations and Discontinuities: Aesthetic -- 6. How Art Found Theory -- 7. Philosophy before the Arts -- 8. The Rarity of Theory -- 9. On the History of Film Theory -- 10. Genres of Theory -- 11. Excursus: Ricciotto Canudo and the Aesthetic Discourse -- 12. On the Way to Language -- 13. The Travels of Formalism -- 14. An Uncertain and Irrational Art -- 15. A Small History of Structuralism -- 16. After the Long Eclipse -- 17. An Object, a Method, a Domain -- 18. A Care for the Claims of Theory -- 19. The Sense of an Ending -- 20. "Suddenly, an Age of Theory" -- 21. The Fifth Element -- 22. "A Struggle without End, Exterior and Interior" -- 23. Becoming a Subject in Theory -- Acknowledgments -- Index |
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Sommario/riassunto |
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Rhetorically charged debates over theory have divided scholars of the humanities for decades. In Elegy for Theory, D. N. Rodowick steps back from well-rehearsed arguments pro and con to assess why theory has become such a deeply contested concept. Far from lobbying for a return to the "high theory" of the 1970's and 1980's, he calls for a vigorous dialogue on what should constitute a new, ethically inflected philosophy of the humanities. Rodowick develops an ambitiously cross- |
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disciplinary critique of theory as an academic discourse, tracing its historical displacements from ancient concepts of theoria through late modern concepts of the aesthetic and into the twentieth century. The genealogy of theory, he argues, is constituted by two main lines of descent--one that goes back to philosophy and the other rooted instead in the history of positivism and the rise of the empirical sciences. Giving literature, philosophy, and aesthetics their due, Rodowick asserts that the mid-twentieth-century rise of theory within the academy cannot be understood apart from the emergence of cinema and visual studies. To ask the question, "What is cinema?" is to also open up in new ways the broader question of what is art. |
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