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Record Nr. |
UNINA9910818725703321 |
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Titolo |
Captive audience : prison and captivity in contemporary theater / / edited by Thomas Fahy and Kimball King |
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Pubbl/distr/stampa |
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New York, : Routledge, 2003 |
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ISBN |
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1-85411-148-5 |
1-135-88894-9 |
1-135-88895-7 |
0-415-76258-8 |
1-280-04794-1 |
0-203-49485-7 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (207 p.) |
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Collana |
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Studies in modern drama ; ; 19 |
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Altri autori (Persone) |
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FahyThomas Richard |
KingKimball |
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Disciplina |
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Soggetti |
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Drama - 20th century - History and criticism |
Prisons in literature |
Prisoners in literature |
Imprisonment in literature |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Book Cover; Title; Contents; General Editor's Note; CAPTIVE AUDIENCE: AN INTRODUCTION; THE CONFESSIONAL VOICE: MEDEA'S BRUTAL IMAGINATION; EMOTIONAL CONTRABAND: PRISON AS METAPHOR AND MEANINGIN U.S. LATINA DRAMA; SEEING ETHNICITY: THE IMPACT OF RACE AND CLASS ON THE CRITICAL RECEPTION OF MIGUEL PIERO'S SHORT EYES; ON PRISONS IN THE UNITED STATES: EXTRACT FROM A SPEECH DELIVERED TO THE CONFEDERATION OF ANALYTICAL PSYCHOLOGISTS, LONDON, 25 JUNE 1999; HAROLD PINTER'S PRISON HOUSE: THE SCREENPLAY OF KAFKA'S THE TRIAL; HAROLD PINTER'S THE HANDMAID'S TALE: FREEDOM, PRISON, AND A HIJACKED SCRIPT |
~A WORLD OF BODIES~: PERFORMING FLESH IN MARAT/SADETHE DISPOSAL: WILLIAM INGE'S ABJECT DRAMA; ~IN DARK CORNERS~: |
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