1.

Record Nr.

UNINA9910818679303321

Autore

Newton Adam Zachary

Titolo

Facing Black and Jew : literature as public space in twentieth-century America / / Adam Zachary Newton [[electronic resource]]

Pubbl/distr/stampa

Cambridge : , : Cambridge University Press, , 1999

ISBN

1-107-11704-6

0-511-00615-2

1-280-16200-7

0-511-11759-0

0-511-14982-4

0-511-30300-9

0-511-48319-8

0-511-05222-7

Descrizione fisica

1 online resource (xviii, 218 pages) : digital, PDF file(s)

Collana

Cultural margins ; ; 9

Disciplina

813.009/896073

Soggetti

American fiction - African American authors - History and criticism

Literature and society - United States - History - 20th century

Judaism and literature - United States - History - 20th century

American fiction - Jewish authors - History and criticism

African American authors - Political and social views

Jewish authors - Political and social views

Jews - United States - Intellectual life

African Americans - Relations with Jews

African Americans in literature

Race relations in literature

Jews in literature

United States Race relations

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Nota di bibliografia

Includes bibliographical references (p. 204-213) and index.

Nota di contenuto

"An antiphonal game" and beyond: facing Ralph Ellison and Henry Roth -- "Jew me sue me don't you black or white me": the (ethical) politics of recognition in Chester Himes and Saul Bellow -- "Words generally spoil



things" and "giving man final say": facing history in David Bradley and Philip Roth -- Literaturized Blacks and Jews; or Golems and Tar babies: reality and its shadows in John Edgar Wideman and Bernard Malamud -- Black-Jewish inflations: face(off) in David Mamet's Homicide and the O.J. Simpson trial.

Sommario/riassunto

A reading of African American and Jewish American writers from Henry Roth and Ralph Ellison to Philip Roth and David Bradley. Reading the work of such writers alongside and through one another, Newton's book offers an original way of juxtaposing two major traditions in modern American literature, and rethinking the sometimes vexed relationship between two constituencies ordinarily confined to sociopolitical or media commentary alone. Newton combines Emmanuel Levinas's ethical philosophy and Walter Benjamin's theory of allegory in shaping an innovative kind of ethical-political criticism. Through artful, dialogical readings of Saul Bellow and Chester Himes, David Mamet and Anna Deavere Smith, and others, Newton seeks to represent American Blacks and Jews outside the distorting mirror of 'Black-Jewish Relations', and restrictive literary histories alike. A final chapter addresses the Black/Jewish dimension of the O. J. Simpson trial.