1.

Record Nr.

UNISA990000880390203316

Autore

SANCHEZ MONTERO, Maria del Carmen

Titolo

Grammatica dell'indicativo e del congiuntivo nella subordinazione : studio contrastivo spagnolo-italiano : lingua e traduzione / Maria Del Carmen Sanchez Montero

Pubbl/distr/stampa

Padova : Cleup, 1996

Descrizione fisica

205 p. ; 23 cm

Disciplina

468.24

Soggetti

Lingua spagnola - Verbi

Lingua spagnola - Grammatica

Collocazione

VI.5.D. 443 (II sp B 1/60)

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

In testa al front.: Università degli studi di Trieste, Scuola superiore di lingue moderne per interpreti e traduttori



2.

Record Nr.

UNINA9910291238303321

Titolo

Il golfo di Manfredonia porta del Gargano : dal porto vecchio al molo industriale / a cura di Riccardo Florio, Carmine Piscopo, Paola Scala

Pubbl/distr/stampa

Roma : Officina, 2010

ISBN

978-88-6049-080-3

Descrizione fisica

177 p. : ill. ; 22 cm

Locazione

FARBC

FINBC

Collocazione

SEZ.NA B 3532

13 P 46 33

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Contributi del workshop tenutosi a Manfredonia dal 19 al 13 settembre 2009



3.

Record Nr.

UNINA9910822303403321

Autore

Klaić Dragan

Titolo

Mobility of imagination : a companion guide to international cultural cooperation / / Dragan Klaic

Pubbl/distr/stampa

New York : , : Center for Arts and Culture, Central European University, , 2007

©2007

ISBN

615-5211-28-0

1-281-37681-7

9786611376819

1-4294-9809-9

Edizione

[1st ed.]

Descrizione fisica

1 online resource (164 pages)

Disciplina

303.48/24

Soggetti

International relations and culture

Arts - International cooperation

International relations and culture - Europe

Arts - Europe - International cooperation

Europe

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references.

Nota di contenuto

1. Cultures beyond borders -- 2. Cultural realms -- 3. Why international cultural cooperation? -- 4. Forms of collaboration -- 5. Where and how to start? -- 6. The art of partnership -- 7. Developing a collaborative cross-border protect -- 8. Politics and public funding -- 9. Private funding and alternative financing -- 10. Trends in the international cultural cooperation -- 11. Strategic issues -- Key words: a glossary -- Key players: web addresses of major institutional, governmental and intergovernmental organizations -- Key references: bibliography of most important books and documents.

Sommario/riassunto

This concise guidebook explains the purpose and expected benefits of international cultural cooperation, its risks and strategic issues, models and success factors. International cultural cooperation is analyzed here as a trajectory of professional development of individual and institutional operators and as a strategy to build an integrated,



inclusive cultural space that will enhance the notion of European citizenship. Examples are offered from all parts of Europe and all disciplines. Cultural cooperation has been traditionally conceived as a matter of national governments and national cultural and foreign policy, not in a broad supranational perspective and not from the point of view of cultural operators themselves. Students previously had to rely on occasional articles and some governmental and academic studies of a rather narrow focus and national perspective.

4.

Record Nr.

UNINA9910817982103321

Autore

Manderson Desmond

Titolo

Songs without music : aesthetic dimensions of law and justice / / Desmond Manderson

Pubbl/distr/stampa

Berkeley, Calif., : University of California Press, c2000

ISBN

1-282-75873-X

9786612758737

0-520-92221-2

1-59734-906-2

Edizione

[1st ed.]

Descrizione fisica

1 online resource (318 p.)

Collana

Philosophy, social theory, and the rule of law ; ; 7

Disciplina

340/.11

Soggetti

Law and aesthetics

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references (p. [265]-297) and index.

Nota di contenuto

Front matter -- Contents -- Preface and Acknowledgments -- Prelude: Senses and Symbols in Aesthetic Experience -- Fugue: A Prospectus for the Aesthetic Dimension -- Motet: Statutes and Music-An Aesthetic Methodology -- Requiem: Green Death-Aesthetic Interpretations and Influences in the Death Penalty -- Variations on a Theme: Metaphors of the Boundary and the Boundaries of Metaphor -- Quartet for the End of Time: Legal Theory Against the Law -- Quodlibet: Just Aesthetics and the Aesthetics of Justice -- Notes -- Bibliography -- Index

Sommario/riassunto

In this pathbreaking and provocative analysis of the aesthetics of law, the historian, legal theorist, and musician Desmond Manderson argues



that by treating a text, legal or otherwise, as if it were merely a sequence of logical propositions, readers miss its formal and symbolic meanings. Creatively using music as a model, he demonstrates that law is not a sterile, rational structure, but a cultural form to be valued and enhanced through rhetoric and metaphors, form, images, and symbols. To further develop this argument, the book is divided into chapters, each of which is based on a different musical form. Law, for Manderson, should strive for neither coherence nor integrity. Rather, it is imperfectly realized, constantly reinterpreted, and always in flux. Songs without Music is written in an original, engaging, and often humorous style, and exhibits a deep knowledge of both law and music. It successfully traverses several disciplines and builds an original and persuasive argument for a legal aesthetic. The book will appeal to a broad readership in law, political theory, literary criticism, and cultural studies.