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1. |
Record Nr. |
UNISA990000880390203316 |
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Autore |
SANCHEZ MONTERO, Maria del Carmen |
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Titolo |
Grammatica dell'indicativo e del congiuntivo nella subordinazione : studio contrastivo spagnolo-italiano : lingua e traduzione / Maria Del Carmen Sanchez Montero |
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Pubbl/distr/stampa |
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Descrizione fisica |
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Disciplina |
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Soggetti |
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Lingua spagnola - Verbi |
Lingua spagnola - Grammatica |
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Collocazione |
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VI.5.D. 443 (II sp B 1/60) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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In testa al front.: Università degli studi di Trieste, Scuola superiore di lingue moderne per interpreti e traduttori |
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2. |
Record Nr. |
UNINA9910291238303321 |
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Titolo |
Il golfo di Manfredonia porta del Gargano : dal porto vecchio al molo industriale / a cura di Riccardo Florio, Carmine Piscopo, Paola Scala |
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Pubbl/distr/stampa |
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ISBN |
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Descrizione fisica |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Contributi del workshop tenutosi a Manfredonia dal 19 al 13 settembre 2009 |
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3. |
Record Nr. |
UNINA9910822303403321 |
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Autore |
Klaić Dragan |
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Titolo |
Mobility of imagination : a companion guide to international cultural cooperation / / Dragan Klaic |
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Pubbl/distr/stampa |
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New York : , : Center for Arts and Culture, Central European University, , 2007 |
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©2007 |
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ISBN |
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615-5211-28-0 |
1-281-37681-7 |
9786611376819 |
1-4294-9809-9 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (164 pages) |
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Disciplina |
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Soggetti |
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International relations and culture |
Arts - International cooperation |
International relations and culture - Europe |
Arts - Europe - International cooperation |
Europe |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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1. Cultures beyond borders -- 2. Cultural realms -- 3. Why international cultural cooperation? -- 4. Forms of collaboration -- 5. Where and how to start? -- 6. The art of partnership -- 7. Developing a collaborative cross-border protect -- 8. Politics and public funding -- 9. Private funding and alternative financing -- 10. Trends in the international cultural cooperation -- 11. Strategic issues -- Key words: a glossary -- Key players: web addresses of major institutional, governmental and intergovernmental organizations -- Key references: bibliography of most important books and documents. |
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Sommario/riassunto |
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This concise guidebook explains the purpose and expected benefits of international cultural cooperation, its risks and strategic issues, models and success factors. International cultural cooperation is analyzed here as a trajectory of professional development of individual and institutional operators and as a strategy to build an integrated, |
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inclusive cultural space that will enhance the notion of European citizenship. Examples are offered from all parts of Europe and all disciplines. Cultural cooperation has been traditionally conceived as a matter of national governments and national cultural and foreign policy, not in a broad supranational perspective and not from the point of view of cultural operators themselves. Students previously had to rely on occasional articles and some governmental and academic studies of a rather narrow focus and national perspective. |
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4. |
Record Nr. |
UNINA9910817982103321 |
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Autore |
Manderson Desmond |
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Titolo |
Songs without music : aesthetic dimensions of law and justice / / Desmond Manderson |
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Pubbl/distr/stampa |
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Berkeley, Calif., : University of California Press, c2000 |
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ISBN |
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1-282-75873-X |
9786612758737 |
0-520-92221-2 |
1-59734-906-2 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (318 p.) |
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Collana |
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Philosophy, social theory, and the rule of law ; ; 7 |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [265]-297) and index. |
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Nota di contenuto |
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Front matter -- Contents -- Preface and Acknowledgments -- Prelude: Senses and Symbols in Aesthetic Experience -- Fugue: A Prospectus for the Aesthetic Dimension -- Motet: Statutes and Music-An Aesthetic Methodology -- Requiem: Green Death-Aesthetic Interpretations and Influences in the Death Penalty -- Variations on a Theme: Metaphors of the Boundary and the Boundaries of Metaphor -- Quartet for the End of Time: Legal Theory Against the Law -- Quodlibet: Just Aesthetics and the Aesthetics of Justice -- Notes -- Bibliography -- Index |
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Sommario/riassunto |
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In this pathbreaking and provocative analysis of the aesthetics of law, the historian, legal theorist, and musician Desmond Manderson argues |
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that by treating a text, legal or otherwise, as if it were merely a sequence of logical propositions, readers miss its formal and symbolic meanings. Creatively using music as a model, he demonstrates that law is not a sterile, rational structure, but a cultural form to be valued and enhanced through rhetoric and metaphors, form, images, and symbols. To further develop this argument, the book is divided into chapters, each of which is based on a different musical form. Law, for Manderson, should strive for neither coherence nor integrity. Rather, it is imperfectly realized, constantly reinterpreted, and always in flux. Songs without Music is written in an original, engaging, and often humorous style, and exhibits a deep knowledge of both law and music. It successfully traverses several disciplines and builds an original and persuasive argument for a legal aesthetic. The book will appeal to a broad readership in law, political theory, literary criticism, and cultural studies. |
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