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1. |
Record Nr. |
UNINA9910821009503321 |
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Titolo |
Theory and practice, strategy and sustainability / / guest editors Andy Adcroft, Spinder Dhaliwal, Graham Miller and Phil Walsh |
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Pubbl/distr/stampa |
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Bradford, England, : Emerald Group Publishing, c2007 |
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ISBN |
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1-280-84720-4 |
9786610847204 |
1-84663-323-0 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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Collana |
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Management Decision ; ; 45, no. 1 |
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Altri autori (Persone) |
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AdcroftAndy |
DhaliwalSpinder |
MillerGraham |
WalshPhil |
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Disciplina |
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Soggetti |
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Management |
Business planning |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di contenuto |
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Cover -- CONTENTS -- EDITORIAL ADVISORY BOARD -- Guest editorial -- The external environment's effect on management and strategy -- Using old concepts to gain new insights: addressing the issue of consistency -- Sweep or seep? Structure, culture, enterprise and universities -- Critical growth factors of ICT start-ups -- Ethical behavior and social responsibility in organizations: process and evaluation -- Networking in South African businesses -- Strategy dynamics in the logistics industry: a transactional center perspective -- Women entrepreneurs and strategic decision making -- Becoming misrepresentations in strategy and time -- Note from the publisher. |
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Sommario/riassunto |
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This e-book is concerned with the nature of relationships. Philip Larkin in his famous poem about parents suggested that the relationships within a family are the source of both joy and despair and that the tension between these two feelings is what gives individual families their unique quality. This perspective on tensions, paradoxes and opposing positions underpins the philosophy of this special edition; rather than seeing these characteristics as things which require |
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reconciliation and rationalisation, we accept them as fundamentally positive characteristics of inquisitive life. The modern political response to this kind of conflict is triangulation where opposing views are defined in terms of their extreme nature and a subsequent position is justified between the two on the basis of sensibility and consensus. We do not aim to either reconcile or compromise on the debates and discussions in the articles in this special edition but, with a degree of good temper and moderation, we hope to describe, engage and further some of the arguments. |
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2. |
Record Nr. |
UNINA9910817833903321 |
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Titolo |
Global neorealism : the transnational history of a film style / / edited by Saverio Giovacchini and Robert Sklar |
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Pubbl/distr/stampa |
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Jackson, : University Press of Mississippi, 2011 |
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ISBN |
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1-283-30929-7 |
9786613309297 |
1-61703-123-2 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (283 p.) |
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Altri autori (Persone) |
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GiovacchiniSaverio <1963-> |
SklarRobert |
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Disciplina |
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Soggetti |
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Realism in motion pictures |
Motion pictures - Italy - History - 20th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction: the geography and history of global neorealism / Saverio Giovacchini and Robert Sklar -- Before the (Neorealist) revolution / Vito Zagarrio -- Soviet-Italian cinematic exchanges, 1920's 1950's: from early Soviet film theory to neorealism / Masha Salazkina -- The role of documentary film in the formation of the neorealist cinema / Luca Caminati -- "The exalted spirit of the actual": James Agee, critic and filmmaker, and the U.S. response to neorealism / Robert Sklar -- Marketing meaning, branding neorealism: advertising and promoting |
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Italian cinema in postwar America / Nathaniel Brennan -- Neorealism: another "cinema de papa" for the French new wave? / Caroline Eades -- "With an incredible realism that beats the best of the European cinemas": the making of Barrio Gris and the reception of Italian neorealism in Argentina, 1947-1955 / Paula Halperin -- Living in peace after the massacre: neorealism, colonialism, and race / Saverio Giovacchini -- From Italian neorealism to new Latin American cinema: ruptures and continuities during the 1960's / Mariano Mestman -- Importing neorealism, exporting cinema: Indian cinema and film festivals in the 1950's / Neepa Majumdar -- Neorealism and nationalist African cinema / Sada Niang -- Documenting the social reality of Brazil: Roberto Rossellini, the Paraban -- Documentary school, and the cinema novistas / Sarah Sarzynski -- Neorealism Iranian style / Hamid Naficy -- Epilogue: neorealism, cinema of poetry, and Italian contemporary cinema / Silvia Carlorosi. |
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Sommario/riassunto |
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Intellectual, cultural, and film historians have long considered neorealism the founding block of post-World War II Italian cinema. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period and aimed at recovering the reality of Italy after the sugarcoated moving images of Fascism. Lasting from 1945 to the early 1950's, neorealism produced world-renowned masterpieces such as Roberto Rossellini's Roma, città aperta ( Rome, Open City , 1945) and Vittorio De Sica's Ladri di biciclette ( Bicycle Thieves , 1947). These films won some of the most prestigious |
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