|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910817106403321 |
|
|
Autore |
Broderick Mick |
|
|
Titolo |
Reconstructing Strangelove : inside Stanley Kubrick's 'nightmare comedy' / / Mick Broderick |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
London : , : Wallflower Press, , [2017] |
|
©2017 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (231 pages) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
PERFORMING ARTS / Film & Video / History & Criticism |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Frontmatter -- Contents -- Acknowledgements -- Dr. Strangelove Timeline -- Glossary -- INTRODUCTION. Stanley Kubrick's Atomic Antecedents -- CHAPTER ONE. The Road to Strangelove: From Red Alert to The Delicate Balance of Terror and Beyond -- CHAPTER TWO. Doctors Strangelove -- CHAPTER THREE. 'Gentlemen, you can't fight in here...': Brinksmanship Amongst the Authors and Producers of Dr. Strangelove and Fail-Safe -- CHAPTER FOUR. Authentically Strange: Presidential Predelegation, Fail-safes and Doomsday Machines -- CHAPTER FIVE. Reconstructing Strangelove: Outtakes from the Cutting Room Floor -- CONCLUSION. Sons of Strangelove -- BIBLIOGRAPHY -- PRODUCTION CREDITS -- INDEX |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
During his career Stanley Kubrick became renowned for undertaking lengthy and exhaustive research prior to the production of all his films. In the lead-up to what would eventually become Dr. Strangelove (1964), Kubrick read voraciously and amassed a substantial library of works on the nuclear age. With rare access to unpublished materials, this volume assesses Dr. Strangelove's narrative accuracy, consulting recently declassified Cold War nuclear-policy documents alongside interviews with Kubrick's collaborators. It focuses on the myths surrounding the film, such as the origins and transformation of the "straight" script versions into what Kubrick termed a "nightmare comedy." It assesses Kubrick's account of collaborating with the writers Peter George and Terry Southern against their individual remembrances |
|
|
|
|