Mixing music / / edited by Russ Hepworth-Sawyer and Jay Hodgson

• Record Nr.: UNINA9910816850203321
• Pubbl/distr/stampa: New York : , : Routledge, , 2017
• ISBN: 1-317-29550-1; 1-315-64660-9; 1-317-29551-X
• Edizione: [1st ed.]
• Descrizione fisica: 1 online resource (307 pages)
• Collana: Perspectives on Music Production
• Altri autori (Persone): Hepworth-SawyerRuss; HodgsonJay
• Disciplina: 781.49
• Soggetti: Popular music - Production and direction; Sound recordings - Production and direction
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: "A Focal Press book."
• Nota di contenuto: 1. Exploring potential of the mix : historical milestones and expanded perspectives / Martyn Phillips -- 2. How to listen, what to hear / William Moylan -- 3. Proxemic interaction in popular music recordings / Ruth Dockwray -- 4. Top-down mixing : a 12-step mixing program / Phil Harding -- 5. Mixing in the box / Justin Paterson -- 6. Audio editing in/and mixing / Alastair Sims with Jay Hodgson -- 7. Pre-production in mixing : mixing in pre-production / Dylan Lauzon -- 8. Between the speakers : discussions on mixing / Dean Nelson -- 9. Mixing for markets / Alex Krotz with Jay Hodgson -- 10. Mixing in/and modern electronic music production / Andy Devine and Jay Hodgson -- 11. Groove and the grid : mixing contemporary hip hop / Matt Shelvock -- 12. The mix is. The mix is not. / Robert Wilsmore and Christopher Johnson -- 13. Mixing metaphors : aesthetics, mediation and the rhetoric of sound mixing / Mark Marrington -- 14. Mix as auditory response / Jay Hodgson -- 15. An intelligent systems approach to mixing multitrack audio / Joshua D. Reiss -- 16. How can academic practice inform mix-craft? / Gary Bromham -- 17. The dreaded mix sign-off : handing over to mastering / Rob Toulson -- 18. Conclusion : mixing as part-history, part-present and part-future / Russ Hepworth-Sawyer.
• Sommario/riassunto: This series, Perspectives On Music Production, collects detailed and experientially informed considerations of record production from a multitude of perspectives, by authors working in a wide array of academic, creative and professional contexts. Each volume in the series thus focuses directly on a distinct aesthetic "moment" in a record's production, from pre-production through recording (audio engineering), mixing, mastering, to marketing and promotions. This first volume in the series, titled Mixing Music, focuses directly on the mixing process.