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1. |
Record Nr. |
UNISA990006181300203316 |
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Autore |
MENESES, Guillermo |
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Titolo |
Cable cifrado : ejercicio narrativo / Guillermo Meneses |
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Pubbl/distr/stampa |
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Caracas : Asociación de Escritores Venezolanos, 1961 |
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Descrizione fisica |
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Collana |
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Cuadernos literarios de la Asociacion de escritores venezolanos ; 113 |
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Disciplina |
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Soggetti |
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Letteratura latinoamericana - Narrativa |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910816754403321 |
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Autore |
Marramao Giacomo <1946-> |
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Titolo |
Against power : for an overhaul of critical theory / / by Giacomo Marramao ; Translated by Patrick Camiller |
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Pubbl/distr/stampa |
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Lanham, Maryland : , : John Cabot University Press, , 2016 |
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©2016 |
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ISBN |
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Descrizione fisica |
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1 online resource (97 p.) |
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Disciplina |
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Soggetti |
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Power (Philosophy) |
Power (Social sciences) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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Contents; Foreword to the English Edition; Preface; Chapter One: The Primal Scene; Chapter Two: Archaeology of Power; Chapter Three: |
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Power, Identity and Writing; Chapter Four: Mutations and Metamorphosis; Appendix; Index of Concepts; Index of Names; About the Author |
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Sommario/riassunto |
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In this book Giacomo Marramao focuses on the work of two great Central European writers, Elias Canetti and Herta Müller, each of whom, in different periods and contexts, offered a philosophical genealogy of forms of domination and a radical diagnosis of power, command and law. This book explores the issue of power from a philosophical literary perspective. It tackles the linguistic and literary relations between the notions of "power" and "potential". |
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3. |
Record Nr. |
UNINA9910747089803321 |
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Titolo |
Restoration as Fabrication of Origins : A Material and Political History of Italian Renaissance Art / / ed. by Henri de Riedmatten, Fabio Gaffo, Mathilde Jaccard |
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Pubbl/distr/stampa |
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Berlin ; ; Boston : , : De Gruyter, , [2023] |
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©2023 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (190 p.) |
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Disciplina |
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Soggetti |
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ART / History / Renaissance |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter -- CONTENTS / TABLE DES MATIÈRES -- FOREWORD -- AVANT-PROPOS -- ON THE NOTION OF RESTORATION / DE LA NOTION DE RESTAURATION -- TRANSLATIO AND RESTAURATIO -- THE REASON OF DISTANCE -- EX UNO LAPIDE -- OF SPACES AND PLACES. D’ESPACES ET DE LIEUX -- RAFFAELE MAFFEI AND THE DISCOVERY OF AN ETRUSCAN TOMB IN 1508 -- Une poétique de l’archaïque -- TEMPS MÊLÉS -- RECENT RESTORATION PRACTICES PRATIQUES RÉCENTES DE LA RESTAURATION -- TRANSPARENCE OU OPACITÉ -- LA MISE AU TOMBEAU DE VÉRONÈSE -- A COLONIAL RENAISSANCE? UNE |
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RENAISSANCE COLONIALE ? -- NOVA ATLANTIS -- Acknowledgments / Remerciements -- CREDITS |
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Sommario/riassunto |
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Die Publikation widmet sich den Beziehungen zwischen Restaurierung und Politik in der Kunst der italienischen Renaissance. Die Frage nach der Herkunft als Grundlage politischer, patrimonialer und kultureller Identität bildet den Fokus der Betrachtungen. Anstatt ursprüngliche Formen und Bedeutungen wiederherzustellen, wurde die Vergangenheit entsprechend neuen Identitätsbedürfnissen umgestaltet: Räume wurden umorganisiert und Kunstwerke mit neuen Bedeutungen versehen. Die materielle und ästhetische Realität der Kunstgegenstände erfuhr somit eine Umgestaltung und Neudefinition. Ziel der Beiträge ist es, mögliche physische Veränderungen der Artefakte im Lichte ihrer symbolischen Umkodierung zu analysieren. Mit Beiträgen von Kathleen W. Christian, Caroline S. Hillard, Mateusz Kapustka, Jérémie Koering, Victor Lopes, Florian Métral, Arnold Nesselrath, Neville Rowley, Beat Wyss. Restaurierungspraktiken in der italienischen Renaissancekunst Kritische Hinterfragung des Renaissancebegriffs Umkodierung antiker Werke zu politischen Zwecken |
The aim of this publication is to clarify the relationships between material restoration and politics in Italian Renaissance art. The focus of this research is on the question of origin as a foothold for political, patrimonial, and cultural identity. These claims were enacted within a system which, rather than restoring the initial forms and meanings of existing objects, remodeled the past according to new identity requirements: spaces were reorganized, and works of art invested with new meanings. Their material and aesthetic reality was thus transformed and redefined. The aim is therefore to analyze the potential physical modifications of these artefacts in light of their symbolic recoding. With contributions by Kathleen W. Christian, Caroline S. Hillard, Mateusz Kapustka, Jérémie Koering, Victor Lopes, Florian Métral, Arnold Nesselrath, Neville Rowley, Beat Wyss. Restoration practices in Italian Renaissance art Reassessing the concept of Renaissance Recording of ancient works for political purposes |
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