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Record Nr. |
UNINA9910457378003321 |
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Autore |
Williams Drid <1928-> |
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Titolo |
Teaching dancing with ideokinetic principles [[electronic resource] /] / Drid Williams |
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Pubbl/distr/stampa |
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Urbana, : University of Illinois Press, c2011 |
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ISBN |
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1-283-16882-0 |
9786613168825 |
0-252-09306-2 |
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Descrizione fisica |
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1 online resource (145 p.) |
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Disciplina |
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Soggetti |
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Dance - Study and teaching |
Dance - Physiological aspects |
Human mechanics |
Movement, Aesthetics of |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and indexes. |
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Nota di contenuto |
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Cover -- Title page -- Copyright page -- Contents -- Foreword -- Introduction -- Chapter 1. Beams of Light -- Appendix: Lexicons of the Body -- Chapter 2. Relaxation -- Appendix: Constructive Rest by Lulu E. Sweigard -- Chapter 3. Baking Biscuits and Kinesthesia -- Appendix: The Dancer's Posture by Lulu E. Sweigard, with Introduction by Martha Hill -- Chapter 4. Doctors, Dancing, and Ideokinesis -- Appendix: Better Dancing through Better Body Balance by Lulu E. Sweigard -- Chapter 5. Mirror, Mirror . . . -- Appendix: Accentuate the Positive -- Chapter 6. Imagery and HabitAppendix: Walking Bundles of Habit by William James -- Chapter 7. More about Teaching Dancing -- Appendix: Letter XI by Jean-Georges Noverre -- References Cited -- Author Index -- Subject Index. |
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Sommario/riassunto |
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"In examining ideokinesis and its application to the teaching and practice of dancing, Drid Williams introduces readers to the work of Dr. Lulu Sweigard (1895-1974), a pioneer of ideokinetic principles. Drawing on her experiences during private instructional sessions with Sweigard over a two-year span, Williams discusses methods using |
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imagery for improving body posture and alignment for ease of movement. Central to Williams's own teaching methods is the application of Sweigard's principles and general anatomical instruction, including how she used visual imagery to help prevent bodily injuries and increasing body awareness relative to movement. Williams also emphasizes the differences between kinesthetic (internal) and mirror (external) imagery and shares reactions from professional dancers who were taught using ideokinesis. Williams's account of teaching and practicing ideokinesis is supplemented with essays by Sweigard, William James, and Jean-Georges Noverre on dancing, posture, and habits. Teaching Dancing with Ideokinetic Principles offers an important historical perspective and valuable insights from years of teaching experience into how ideokinesis can shape a larger philosophy of the dance"--Provided by publisher. |
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2. |
Record Nr. |
UNINA9910816703103321 |
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Autore |
Brooks Kinitra Dechaun |
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Titolo |
Searching for Sycorax : black women's hauntings of contemporary horror / / Kinitra D. Brooks |
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Pubbl/distr/stampa |
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New Brunswick, New Jersey : , : Rutgers University Press, , [2018] |
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©2018 |
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ISBN |
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0-8135-8464-7 |
0-8135-8463-9 |
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Descrizione fisica |
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1 online resource (220 pages) |
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Disciplina |
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Soggetti |
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Horror in literature |
African American women authors |
Women authors, Black - History and criticism |
Feminist theory |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Issued as part of book collections on Project MUSE. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction: Searching for Sycorax: black women and horror -- The importance of neglected intersections: characterizations of black |
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women in mainstream horror texts -- Black feminism and the struggle for literary respectability -- Black women writing fluid fiction: an open challenge to genre normativity -- Folkloric horror: a new way of reading black women's creative horror -- Conclusion Sycorax's power of revision: reconstructing black women's counter-narratives -- Appendix: creative work summary. |
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Sommario/riassunto |
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"Searching for Sycorax highlights the unique position of Black women in horror as both characters and creators. Kinitra D. Brooks creates a racially gendered critical analysis of African diasporic women, challenging the horror genre's historic themes and interrogating forms of literature that have often been ignored by Black feminist theory"-- |
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