1.

Record Nr.

UNINA9910816501103321

Autore

Rogers Amanda <1981-, >

Titolo

Performing Asian transnationalisms : theatre, identity and the geographies of performance / / Amanda Rogers

Pubbl/distr/stampa

New York : , : Routledge, , 2015

ISBN

1-135-01032-3

1-138-38334-1

0-203-74401-2

1-135-01033-1

Edizione

[1st ed.]

Descrizione fisica

1 online resource (269 p.)

Collana

Routledge Advances in Theatre and  Performance Studies ; ; Volume 36

Classificazione

PER011000SOC015000PER000000

Disciplina

792.095

Soggetti

Theater - Asia

Theater - Asia - Foreign influences

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; List of Figures; Acknowledgements; Introduction: Transnational Geographies and ''Asian'' Performance; 1 Transnational Theatre Networks; 2 Intersectional Identities in Transnational Theatre; Part I Transnationalism in Context; 3 Glocalisation at the Singapore Arts Festival; 4 Performing Displacement: Asian American Diasporic and Refugee Theatre; 5 Touring Transnationality: The Production of British East Asian Theatre; Part II Transnationalism Across Contexts

6 Singapore-Scotland: Transnational Policy and Theatrical Exchange7 Relational Spaces of Protest: The Orphan of Zhao Controversy; 8 Translocal Circulation: From M. Butterfly to Mu-Lan; Conclusion: A Slice of Transnationalism, Performance and Asian Identity; Notes; References; Index

Sommario/riassunto

"This book makes a significant contribution to interdisciplinary engagements between Theatre Studies and Cultural Geography in its analysis of how theatre articulates transnational geographies of Asian culture and identity. Deploying a geographical approach to transnational culture, Rogers analyses the cross-border relationships that exist within and between Asian American, British East Asian, and



South East Asian theatres, investigating the effect of transnationalism on the construction of identity, the development of creative praxis, and the reception of works in different social fields. This book therefore examines how practitioners engage with one another across borders, and details the cross-cultural performances, creative opportunities, and political alliances that result. By viewing ethnic minority theatres as part of global -- rather than simply national -- cultural fields, Rogers argues that transnational relationships take multiple forms and have varying impetuses that cannot always be equated to diasporic longing for a homeland or as strategically motivated for economic gain. This argument is developed through a series of chapters that examine how different transnational spatialities are produced and re-worked through the practice of theatre making, drawing upon an analysis of rehearsals, performances, festivals, and semi-structured interviews with practitioners. The book extends existing discussions of performance and globalization, particularly through its focus on the multiplicity of transnational spatiality and the networks between English-language Asian theatres. Its analysis of spatially extensive relations also contributes to an emerging body of research on creative geographies by situating theatrical praxis in relation to cross-border flows. Performing Asian Transnationalisms demonstrates how performances reflect and rework conventional transnational geographies in imaginative and innovative ways"--