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Record Nr. |
UNINA9910816362603321 |
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Titolo |
Rethinking third cinema / / edited by Anthony R. Guneratne and Wimal Dissanayake |
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Pubbl/distr/stampa |
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New York ; ; London, : Routledge, 2003 |
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ISBN |
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1-134-61323-7 |
0-203-63866-2 |
1-134-61324-5 |
1-280-07963-0 |
0-203-63425-X |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (253 p.) |
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Altri autori (Persone) |
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GuneratneAnthony R |
DissanayakeWimal |
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Disciplina |
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Soggetti |
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Motion pictures - Developing countries |
Intercultural communication in motion pictures |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Book Cover; Title; Contents; Contributors; Acknowledgments; Introduction: rethinking Third Cinema; Third Cinema theory and beyond; Beyond Third Cinema: the aesthetics of hybridity; Challenging Third World legacies: issues of gender, culture, and representation; Post-Third-Worldist culture: gender, nation, and thecinema; The erotics of history: gender and transgression in the Asian cinemas; Alternative cinemas in the age of globalization; Authorship, globalization, and the new identity of Latin American cinema: from the Mexican ~ranchera~ to Argentinian ~exile~ |
Video booms and the manifestations of ~first~ cinema in anglophone AfricaThe relocation of culture: social specificity and the ~Third~ question; What's ~oppositional~ in Indonesian cinema?; The seductions of homecoming: place, authenticity, and Chen Kaige's Temptress Moon; Receiving/retrieving Third (World) Cinema: alternative approaches to spectator studies and critical history; Theorizing ~Third World~ film spectatorship: the case ofIran an |
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Sommario/riassunto |
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This important anthology addresses established notions about Third |
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Cinema theory, and the cinema practice of developing and postcolonial nations. The 'Third Cinema' movement called for a politicised film-making practice in Africa, Asia and Latin America, one which would take on board issues of race, class, religion, and national integrity. The films which resulted from the movement, from directors such as Ousmane Sembene, Satyajit Ray and Nelson Pereira dos Santos, are among the most culturally signficant, politically sophisticated and frequently studied films of the 1960s and 1970s. |
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