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1. |
Record Nr. |
UNINA9910816223903321 |
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Autore |
Myrick Jessica Gall <1984-> |
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Titolo |
The role of emotions in preventative health communication / / Jessica Gall Myrick |
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Pubbl/distr/stampa |
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Lanham : , : Lexington Books, , [2015] |
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©2015 |
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ISBN |
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Descrizione fisica |
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1 online resource (313 p.) |
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Disciplina |
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Soggetti |
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Emotions |
Communication in medicine |
Health behavior |
Medicine, Preventive |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction : emotions and preventative health communication -- Theoretical foundations -- Fear -- Guilt -- Anger -- Sadness -- Humor -- Pride -- Interest -- Hope -- Elevation -- Health campaigns -- Health journalism -- Health information seeking -- Ehealth -- Conclusion : future directions for research on emotions and prevention-focused health messages. |
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Sommario/riassunto |
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The Role of Emotions in Preventative Health Communication examines how discrete emotions evoked by preventative health media messages influence audience response. After introducing a theoretical foundation for emotions and health-related media effects research, Myrick identifies nine emotions-fear, guilt, anger, sadness, humor, pride, interest, hope, and elevation-and discusses the roles these emotions play in health campaigns, health journalism, health information seeking, and eHealth. |
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2. |
Record Nr. |
UNINA9910957965803321 |
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Autore |
Antokoletz Elliott |
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Titolo |
Musical symbolism in the operas of Debussy and Bartok : trauma, gender, and the unfolding of the unconscious / / Elliott Antokoletz with the collaboration of Juana Canabal Antokoletz |
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Pubbl/distr/stampa |
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Oxford ; ; New York, : Oxford University Press, 2004 |
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ISBN |
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1-280-45250-1 |
9786610452507 |
0-19-535595-4 |
1-4237-2631-6 |
1-60256-109-5 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (xiv, 346 p. ) : ill |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Originally published: 2004. |
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Nota di bibliografia |
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Includes bibliographical references (p. 331-340) and index. |
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Nota di contenuto |
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Intro -- Contents -- 1. Backgrounds and Development: The New Musical Language and Its Correspondence with Psycho-Dramatic Principles of Symbolist Opera -- 2. The New Musical Language -- 3. Trauma, Gender, and the Unfolding of the Unconscious -- 4. Pelléas et Mélisande: Polarity of Characterizations: Human Beings as Real-Life Individuals and Instruments of Fate -- 5. Pelléas et Mélisande: Fate and the Unconscious: Transformational Function of the Dominant Ninth Chord -- Symbolism of Sonority -- 6. Pelléas et Mélisande: Musico-Dramatic Turning Point: Intervallic Expansion as Symbol of Dramatic Tension and Change of Mood -- 7. Pelléas et Mélisande: Mélisande as Christ Symbol-Life, Death, and Resurrection-and Motivic Reinterpretations of the Whole-Tone Dyad -- 8. Pelléas et Mélisande: Circuity of Fate and Resolution of Mélisande's Dissonant Pentatonic-Whole-Tone Conflict -- 9. Duke Bluebeard's Castle: Psychological Motivation: Symbolic Interaction of Diatonic, Whole-Tone, and Chromatic Extremes -- 10. Duke Bluebeard's Castle: Toward Character Reversal: Reassignment of Pentatonic and Whole-Tone Spheres -- 11. Duke Bluebeard's Castle: The Nietzschean Condition and Polarity of |
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Characterizations: Diatonic-Chromatic Extremes -- 12. Duke Bluebeard's Castle: Final Transformation and Retreat into Eternal Darkness: Synthesis of Pentatonic/Diatonic and Whole-Tone Spheres -- 13. Symbolism and Expressionism in Other Early Twentieth-Century Operas -- Epilogue -- Notes -- Works Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z. |
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