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1. |
Record Nr. |
UNICAMPANIASUN0017289 |
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Autore |
Dioguardi, Nicola |
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Titolo |
Moderni aspetti di semeiotica medica / N. Dioguardi, G. P. Sanna |
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Pubbl/distr/stampa |
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ISBN |
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Edizione |
[4. ed] |
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Descrizione fisica |
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XXXV, 1182 p. : ill. ; 27 cm. - Sul front.: Humanitas Mirasole spa, Milano [e] Fondazione M.Rodriguez per lo studio delle misure metriche in medicina, Milano |
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Altri autori (Persone) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910815950403321 |
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Autore |
MacDonald Scott <1942-> |
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Titolo |
A critical cinema 5 : interviews with independent filmmakers / / Scott MacDonald |
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Pubbl/distr/stampa |
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Berkeley, Calif. ; ; London, : University of California Press, 2006 |
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ISBN |
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1-282-35819-7 |
1-4237-4550-7 |
9786612358197 |
0-520-93908-5 |
1-59875-914-0 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (462 p.) |
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Disciplina |
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Soggetti |
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Experimental films - United States - History and criticism |
Independent filmmakers - United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
Includes filmography. |
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Nota di contenuto |
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Front matter -- Contents -- Acknowledgments -- Introduction -- Kenneth Anger -- Tony Conrad: On the Sixties -- Nathaniel Dorsky (and Jerome Hiler) -- Peggy Ahwesh -- Alan Berliner -- Robb Moss -- Phil Solomon -- James Benning: On His Westerns -- J. Leighton Pierce -- Matthias Müller -- Sharon Lockhart -- Jennifer Todd Reeves: On Chronic and The Time We Killed -- Shiho Kano -- Ernie Gehr -- Filmography -- Bibliography -- Index |
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Sommario/riassunto |
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A Critical Cinema 5 is the fifth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English. In this new set of interviews, MacDonald engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the interactive community of filmmakers that has dedicated itself to producing forms of cinema that critique conventional media. |
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