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Record Nr. |
UNINA9910815882803321 |
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Titolo |
Theorizing visual studies : writing through the discipline / / edited by James Elkins. [et al.] |
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Pubbl/distr/stampa |
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New York : , : Routledge, , 2013 |
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ISBN |
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1-136-15916-9 |
0-203-07923-X |
1-283-89439-4 |
1-136-15917-7 |
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Edizione |
[1st [ed.].] |
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Descrizione fisica |
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1 online resource (682 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Art and society |
Visual communication |
Aesthetics |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Title; Copyright; CONTENTS; List of Figures; List of Text Boxes; Preface and Acknowledgments; How to Use This Book; An Introduction to the Visual Studies That Is Not in This Book; A Short Introduction to Failure; An Introduction to the Visual as Argument; Airborne Horses; Anaesthetics; Animal; Animations; Arial; Ars Oblivionalis; Artifact; Augmented Reality; Breathing; Collecting; Decolonial; Diaspora; Double-Consciousness; Eleventh Prismatic; Ephemeral; Experimental Geography; Fetish; Filiation; Frame; Iconoclash; Imaginary; Imaginary Twin; Intertitles; Invisibility; Leviathan; LTTR |
MasqueradeMetadata; Metaphors; Mimicry; Monstrative; Monuments; Nests; Nets; Non-Place; Objectivity; Obscenity; Observing; Ordinary; Palimpsest; Parafiction; Performance; Performativity; Politics; Portrait's Look; Queer Futures; Redaction; Regimes; Responsivity; Sartorientalism; Self-Perception; Sexualized; Street Art; Surface; Syntagm; Temples; Terror; Trauma; Visible Woman; Visualism; White; Contributors; Index |
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Sommario/riassunto |
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This forward-thinking collection brings together over sixty essays that invoke images to summon, interpret, and argue with visual studies and its neighboring fields such as art history, media studies, visual |
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anthropology, critical theory, cultural studies, and aesthetics. The product of a multi-year collaboration between graduate students from around the world, spearheaded by James Elkins, this one-of-a-kind anthology is a truly international, interdisciplinary point of entry into cutting-edge visual studies research. The book is fluid in relation to disciplines; it is frequently inventive in |
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