1.

Record Nr.

UNINA9910815643203321

Autore

Gumbrecht Hans Ulrich

Titolo

Prose of the world : Denis Diderot and the periphery of enlightenment / / Hans Ulrich Gumbrecht

Pubbl/distr/stampa

Stanford, California : , : Stanford University Press, , [2021]

©2021

ISBN

1-5036-2786-1

Descrizione fisica

1 online resource (280 p.)

Disciplina

194

Soggetti

Enlightenment - France

France Intellectual life 18th century

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di contenuto

Frontmatter -- Contents -- Enthusiasms and Two Diderot Questions -- 1 "On fait de moi ce qu'on veut" -- 2 "Prose of the World" -- 3 "Je suis dans ce monde et j'y reste" -- 4 "Choses bizarres écrites sur le grand rouleau" -- 5 "Le prodige, c'est la vie" -- 6 "Quels tableaux!" -- 7 "Prose of the World" -- 8 "Je ne fais rien" -- Acknowledgments -- Notes

Sommario/riassunto

A lively examination of the life and work of one of the great Enlightenment intellectuals Philosopher, translator, novelist, art critic, and editor of the Encyclopédie, Denis Diderot was one of the liveliest figures of the Enlightenment. But how might we delineate the contours of his diverse oeuvre, which, unlike the works of his contemporaries, Voltaire, Rousseau, Schiller, Kant, or Hume, is clearly characterized by a centrifugal dynamic? Taking Hegel's fascinated irritation with Diderot's work as a starting point, Hans Ulrich Gumbrecht explores the question of this extraordinary intellectual's place in the legacy of the eighteenth century. While Diderot shared most of the concerns typically attributed to his time, the ways in which he coped with them do not fully correspond to what we consider Enlightenment thought. Conjuring scenes from Diderot's by turns turbulent and quiet life, offering close readings of several key books, and probing the motif of a tension between physical perception and conceptual experience, Gumbrecht demonstrates how Diderot belonged to a vivid intellectual periphery



that included protagonists such as Lichtenberg, Goya, and Mozart. With this provocative and elegant work, he elaborates the existential preoccupations of this periphery, revealing the way they speak to us today.