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Record Nr. |
UNINA9910815517403321 |
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Autore |
Morricone Ennio |
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Titolo |
Composing for the cinema : the theory and praxis of music in film / / Ennio Morricone and Sergio Miceli, translated by Gillian B. Anderson |
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Pubbl/distr/stampa |
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Lanham : , : Scarecrow Press, , [2013] |
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©2013 |
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ISBN |
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0-8108-9240-5 |
0-8108-9242-1 |
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Descrizione fisica |
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1 online resource (311 p.) |
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Altri autori (Persone) |
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AndersonGillian B. <1943-> |
MiceliSergio <1944-> |
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Disciplina |
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Soggetti |
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Composition (Music) |
Motion picture music - Instruction and study |
Motion picture music |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographies and index. |
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Nota di contenuto |
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Contents; Translator's Note; Editor's Note; Acknowledgments; Abbreviations; 1 Introduction; 2 Audiovisual Analysis-Part 1; 3 Production Procedures; 4 Audiovisual Analysis-Part 2; 5 Premix and Final Mix; 6 Compositional Elements; 7 Questions and Answers; Appendix 1: Composing for the Cinema; Appendix 2: Writing for the Cinema; Filmography; Bibliography [to 1999]; Index; About the Authors and Translator |
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Sommario/riassunto |
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With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. In Composing for the Cinema, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Drawing upon scores by himself and others, the composer also provides insight into his re |
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