1.

Record Nr.

UNINA9910815256003321

Autore

Houze Rebecca

Titolo

New mythologies in design and culture : reading signs and symbols in the visual landscape / / Rebecca Houze

Pubbl/distr/stampa

London, England : , : Bloomsbury Academic, , 2020

London, England : , : Bloomsbury Publishing, , 2020

ISBN

1-4725-1849-7

1-4742-7771-3

Descrizione fisica

1 online resource (281 pages) : illustrations

Classificazione

DES008000DES011000

Disciplina

745.40973

Soggetti

Communication in design - United States

Design - Social aspects - United States

Signs and symbols - United States

History of art / art & design styles

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

1. Green -- 2. Gateway -- 3. Bull's-Eye! -- 4. I is for Indian -- 5. The False Mirror -- 6. Red State, Blue State -- 7. DS -- 8. Just do it -- 9. The Grid.

Sommario/riassunto

"Taking as its point of departure Roland Barthes'classic series of essays, Mythologies, Rebecca Houze presents an exploration of signs and symbols in the visual landscape of postmodernity. In nine chapters Houze considers a range of contemporary phenomena, from the history of sustainability to the meaning of sports and children's building toys. Among the ubiquitous global trademarks she examines are BP, McDonald's, and Nike. What do these icons say to us today? What political and ideological messages are hidden beneath their surfaces? Taking the idea of myth in its broadest sense, the individual case studies employ a variety of analytic methods derived from linguistics, psychoanalysis, anthropology, sociology, and art history. In their eclecticism of approach they demonstrate the interdisciplinarity of design history and design studies. Just as Barthes' meditations on culture concentrated on his native France, New Mythologies is rooted in the author's experience of living and teaching in the United States.



Houze's reflections encompass both contemporary American popular culture and the history of American industry, with reference to such foundational figures as Thomas Jefferson and Walt Disney. The collection provides a point of entry into today's complex postmodern or post-postmodern world, and suggests some ways of thinking about its meanings, and the lessons we might learn from it"--