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1. |
Record Nr. |
UNICASUBO2939932 |
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Autore |
Sforza, Vincenzo |
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Titolo |
L'economia delle aziende sanitarie pubbliche : logiche di gestione e strumenti di analisi dei risultati aziendali / Vincenzo Sforza |
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Descrizione fisica |
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Disciplina |
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Soggetti |
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Aziende sanitarie - Controllo di gestione |
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Lingua di pubblicazione |
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Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910815253903321 |
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Titolo |
Boro, l'île d'amour : the films of Walerian Borowczyk / / edited by Kamila Kuc, Kuba Mikurda, and Michał Oleszczyk |
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Pubbl/distr/stampa |
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New York, [New York] ; ; Oxford, [England] : , : Berghahn, , 2015 |
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©2015 |
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ISBN |
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Descrizione fisica |
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1 online resource (210 p.) |
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Disciplina |
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Soggetti |
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Situation comedies (Television programs) - Germany (West) |
Situation comedies (Television programs) - Great Britain |
Situation comedies (Television programs) - United States |
Television - Social aspects - Germany (West) - History - 20th century |
Television - Social aspects - Great Britain - History - 20th century |
Television - Social aspects - United States - History - 20th century |
PERFORMING ARTS / Individual Director (see also BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts) |
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Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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Boro, l'Île d'Amour ; Contents; List of Illustrations ; Acknowledgments; Introduction; Chapter 1 Boro; Chapter 2 Borowczyk's Kunstkamera ; Chapter 3 Animated Bodies; Chapter 4 Cruel Imagination; Chapter 5 The Postcard Never Sent; Chapter 6 Boro; Chapter 7 Borowczyk's Serial Labyrinth; Chapter 8 Immoral Toys; Chapter 9 The Beast with Two Backs; Chapter 10 Laugh in the Doll House; Chapter 11 Enjoying Excess; Chapter 12 The Beach, the Bubble, and the Boudoir; Chapter 13 Sex and the Sacred; Chapter 14 Reflecting on The Strange Case of Dr. Jekyll and Miss Osbourne (1981) |
Chapter 15 The Perils of EmmanuelleChapter 16 Revisiting Love Rites (1988) ; Walerian Borowczyk Filmography ; Index |
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Sommario/riassunto |
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There has been a recent revival of interest in the work of Polish film director Walerian Borowczyk, a label-defying auteur and “escape artist” if there ever was one. This collection serves as an introduction and a guide to Borowczyk’s complex and ambiguous body of work, including panoramic views of the director’s output, focused studies of particular movies, and more personal, impressionistic pieces. Taken together, these contributions comprise a wide-ranging survey that is markedly experimental in character, allowing scholars to gain insight into previously unnoticed aspects of Borowczyk’s oeuvre. |
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