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Record Nr. |
UNINA9910815253903321 |
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Titolo |
Boro, l'île d'amour : the films of Walerian Borowczyk / / edited by Kamila Kuc, Kuba Mikurda, and Michał Oleszczyk |
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Pubbl/distr/stampa |
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New York, [New York] ; ; Oxford, [England] : , : Berghahn, , 2015 |
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©2015 |
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ISBN |
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Descrizione fisica |
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1 online resource (210 p.) |
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Disciplina |
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Soggetti |
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Situation comedies (Television programs) - Germany (West) |
Situation comedies (Television programs) - Great Britain |
Situation comedies (Television programs) - United States |
Television - Social aspects - Germany (West) - History - 20th century |
Television - Social aspects - Great Britain - History - 20th century |
Television - Social aspects - United States - History - 20th century |
PERFORMING ARTS / Individual Director (see also BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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Boro, l'Île d'Amour ; Contents; List of Illustrations ; Acknowledgments; Introduction; Chapter 1 Boro; Chapter 2 Borowczyk's Kunstkamera ; Chapter 3 Animated Bodies; Chapter 4 Cruel Imagination; Chapter 5 The Postcard Never Sent; Chapter 6 Boro; Chapter 7 Borowczyk's Serial Labyrinth; Chapter 8 Immoral Toys; Chapter 9 The Beast with Two Backs; Chapter 10 Laugh in the Doll House; Chapter 11 Enjoying Excess; Chapter 12 The Beach, the Bubble, and the Boudoir; Chapter 13 Sex and the Sacred; Chapter 14 Reflecting on The Strange Case of Dr. Jekyll and Miss Osbourne (1981) |
Chapter 15 The Perils of EmmanuelleChapter 16 Revisiting Love Rites (1988) ; Walerian Borowczyk Filmography ; Index |
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Sommario/riassunto |
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There has been a recent revival of interest in the work of Polish film director Walerian Borowczyk, a label-defying auteur and “escape artist” if there ever was one. This collection serves as an introduction and a guide to Borowczyk’s complex and ambiguous body of work, including |
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panoramic views of the director’s output, focused studies of particular movies, and more personal, impressionistic pieces. Taken together, these contributions comprise a wide-ranging survey that is markedly experimental in character, allowing scholars to gain insight into previously unnoticed aspects of Borowczyk’s oeuvre. |
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