1.

Record Nr.

UNINA9910815053103321

Autore

Leland John <1950->

Titolo

Shakespeare's prop room : an inventory / / John Leland and Alan Baragona  ; foreword by Ralph Alan Cohen

Pubbl/distr/stampa

Jefferson, North Carolina : , : McFarland & Company, Inc., Publishers, , 2016

©2016

ISBN

1-4766-2343-0

Descrizione fisica

1 online resource (240 p.)

Disciplina

822.3/3

Soggetti

Stage props - England - London - History - 17th century

Theater - England - London - History - 17th century

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliograhical references and index.

Nota di contenuto

Acknowledgments; Table of Illustrations; Foreword: "Plays and Things"; by Ralph Alan Cohen; Introduction; 1. Bring out your dead: corpses, funerals and skulls; 2. Off with his head: crowns and the heads that wear them; 3. "Exit pursued by a bear" (The Winter's Tale, 3.3.58): Shakespeare's dramatis animalia; 4. "Come, let's away to prison" (Lear, 5.3.8); 5. "There's magic in the web of it" (Othello, 3.4.69): handkerchiefs and napkins; 6. "Come on, then, let's to bed" (Romeo and Juliet, 1.5.125); 7. "The wood began to move" (Macbeth 5.5.34): stage greenery

8. "Imaginary puissance" (Henry V, Prol. 25): arms and armor9. "Welcome to our table" (As You Like It, 2.7.105): tables and chairs; 10. "The first thing we do, let's kill all the lawyers" (2 Henry VI, 4.2.76): courtrooms and killings; 11. "[O]'er-read these letters / And well consider of them" (2 Henry IV, 3.1.2-3); 12. "This simulation is not as the former" (Twelfth Night, 2.5.138-39): Simulating Places and People on Stage; 13. "What, a hodge-pudding? A bag of flax?" (Merry Wives of Windsor, 5.5.151); Notes; Introduction; 1. Bring out your dead; 2. Off with his head

3. ""Exit pursued by a bear""4. ""Come, let's away to prison""; 5. ""There's magic in the web of it""; 6. ""Come on, then, let's to bed""; 7. ""The wood began to move""; 8. ""Imaginary puissance""; 9. ""Welcome



to our table""; 10. The first thing we do; 11. [O]'er-read these letters""; 12. ""This simulation is not as the former""; 13. ""What, a hodge-pudding?""; Bibliography; List of Names and Terms

Sommario/riassunto

"This study provides the first comprehensive examination of every prop in Shakespeare's plays, whether mentioned in stage directions, indicated in dialogue or implied by the action. The authors delve into numerous historical documents, the business of theater in Renaissance England, and the plays themselves to explain what audiences might have seen"--