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Record Nr. |
UNINA9910814361903321 |
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Titolo |
New Wests and post-Wests : literature and film of the American West / / edited by Paul Varner |
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Pubbl/distr/stampa |
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Newcastle upon Tyne, UK : , : Cambridge Scholars Publishing, , 2013 |
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ISBN |
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Edizione |
[1.] |
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Descrizione fisica |
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1 online resource (288 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Literature - History and criticism |
Motion pictures - West (U.S.) - History |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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part I. Literature and film of the American West -- part II. Issues of the literature and film of the American West. |
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Sommario/riassunto |
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The writers of these chapters are often working with changing assumptions about literary and media interpretations of an American West. Here we see critical approaches to a West that never was, a West of myth so enduring that the myth dominates nearly all artistic representation about this place that never was. In this collection, we see critical approaches to a New West, a West that is a state of mind, not a geographical place but a mythic space with no boundaries and no political inevitabilities. These New Western studies accept the idea of a West that includes Canada, Mexico, Alaska, and, in the case of the US, every geographic and historical point west of the historic founding settlements. The West we study today is a post-West, an idea of the West past the traditional views of an old West dominated by white US nationalism and gendered as uncompromisingly masculine. The idea itself of a single West no longer holds validity. We now understand that all renderings of the West are renderings of multiple Wests; Wests constructed by American nationalists, Wests constructed by EuroAmerican writers and filmmakers, Wests constructed by native peoples, or Wests constructed outside the geographical boundaries of the US. - - This collection presents an eclectic array of new scholarship ranging freely over the New Wests and Post Wests, dealing with issues such as the literature of a 1950's California West; eco-crime genre |
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fiction; the West of Edward Dorn and the Beat Movement; images of prostitution in California Gold Rush literature; European perspectives on film representations of the first peoples; the six shooter and the American West; German Westerns and Italian Westerns; The Authentic Death of Hendry Jones, by Charles Neider; and films such as The Treasure of Sierra Madre, Into the Wild, There Will Be Blood, and The Last Picture Show. - - A unique aspect of this collection is the range of writers interpreting the American West in film and literature; besides those writing from within the United States, five of the writers provide international perspectives from the United Kingdom, and the Universities of Tunis, Vienna, and Rome. - - Each chapter includes a review of scholarship on its subject and an extended bibliography for further research. - |
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