Musical imagiNation : U.S.-Colombian identity and the Latin music boom / / Maria Elena Cepeda

• Record Nr.: UNINA9910814135103321
• Autore: Cepeda Maria Elena
• Pubbl/distr/stampa: New York, : New York University Press, 2010; New York, NY : , : New York University Press, , [2010]; ©2010
• ISBN: 9780814772256; 0814772250; 9780814772904; 0814772900; 9781441636614; 1441636617
• Edizione: [1st ed.]
• Descrizione fisica: 1 online resource (268 p.)
• Disciplina: 781.64089/68861075938
• Soggetti: Music - Social aspects - United States - History - 20th century; Popular music - Florida - Miami - History and criticism; Popular music - Colombia - History and criticism; Music trade - Florida - Miami; Identity (Psychology) and mass media
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1 La crisis colombiana -- 2 A Miami Sound Machine -- 3 Shakira as the Idealized Transnational Citizen -- 4 Florecita rockera -- 5 The Colombian Vallenato acá y allá -- 6 The Colombian Transcultural Aesthetic Recipe -- Afterword -- Notes -- References -- Discography -- Index -- About the Author
• Sommario/riassunto: Long associated with the pejorative clichés of the drug-trafficking trade and political violence, contemporary Colombia has been unfairly stigmatized. In this pioneering study of the Miami music industry and Miami’s growing Colombian community, María Elena Cepeda boldly asserts that popular music provides an alternative common space for ; imagining and enacting Colombian identity. Using an interdisciplinary analysis of popular media, music, and music video, Cepeda teases out issues of gender, sexuality, race, ethnicity, and transnational identity in the Latino/a music industry and among its most renowned rock en español, pop, and vallenato stars.Musical ImagiNation provides an overview of the ongoing Colombian political and economic crisis and the dynamics of Colombian immigration to metropolitan Miami. More notably, placed in this context, the book discusses the creative work and media personas of talented Colombian artists Shakira, Andrea Echeverri of Aterciopelados, and Carlos Vives. In her examination of the transnational figures and music that illuminate the recent shifts in the meanings attached to Colombian identity both in the United States and Latin America, Cepeda argues that music is a powerful arbitrator of memory and transnational identity.