Critique of exotica [[electronic resource] ] : music, politics, and the culture industry / / John Hutnyk

• Record Nr.: UNINA9910813968303321
• Autore: Hutnyk John <1961->
• Pubbl/distr/stampa: London ; ; Sterling, Va., : Pluto Press, 2000
• ISBN: 1-84964-077-7
• Edizione: [1st ed.]
• Descrizione fisica: 1 online resource (256 p.)
• Disciplina: 306.4/84
• Soggetti: Popular music - Social aspects; Popular music - Political aspects; Popular culture - History - 20th century
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Bibliographic Level Mode of Issuance: Monograph
• Nota di bibliografia: Includes bibliographical references (p. 239-250) and index.
• Nota di contenuto: Intro -- Contents -- Part I: Alliances -- 1 Dub: Introduction -- Notes 1-2 -- 3-9 -- 10-12 -- 2 Adorno at Womad -- Notes -- 3 'Dog-Tribe' -- Notes 1-5 -- 6-10 -- 11 -- Part II: Appropriations -- 4 Magical Mystical Tourism -- Notes 1-2 -- 3-14 -- 15-18 -- 19-27 -- 28-31 -- 32 -- 33-35 -- 5 Authenticity or Cultural Politics? -- Notes 1-10 -- 11-15 -- Part III: Internationalisms -- 6 Critique of Postcolonial Marxisms -- Notes 1-8 -- 9-12 -- 13-20 -- 7 'Naxalite' -- Notes 1-2 -- 3-7 -- 8-15 -- 16-18 -- 19-23 -- 24-28 -- 29-30 -- 8 Conclusion: The Culture Industry -- Notes 1-4 -- 5-10 -- 11-14 -- 15-16 -- 17-19 -- 20 -- Bibliography -- 'Indipop' 131 -- 'material girl' -- 4 -- 9 -- 90 -- 114 -- 120 -- 121 -- 212 -- 2nd Generation 4 -- absolutism -- 37 -- 40 -- 43 -- Achanak 11 -- Adorno, Theodor -- 19 -- 40 -- 42 -- 47-9 -- 232 -- 'secret omnipresence' of resistance 7 -- 'secret omnipresence' of resistance 7 -- 'secret omnipresence' of resistance 203 -- 'secret omnipresence' of resistance 203 -- and music 221 -- and music 222-3 -- popular culture 28-30 -- Ahmad, Aijaz 146 -- Ali Khan, Nusrat Fatah -- 28 -- 30 -- 124 -- Ali, Quaddas 185 -- Ali, Tariq 156 -- alienation -- 93 -- 95 -- 150 -- All-India Coordinating Committee of Communist Revolutionaries [AICCCR] 195 -- alliance[s] -- 78 -- 132 -- 133 -- musical 42-9 -- Althusser, Louis 226 -- Amer Rafiq Defence Campaign -- 8 -- 78 -- 173-4 -- 223 -- Amritsar 185 -- anarchism 155 -- Andhara Pradesh ; -- 191 -- 194 -- Anokha -- 99 -- 116 -- anthropology -- 10-13 -- 142 -- 145 -- 167 -- 168 -- Anti Nazi League [ANL] -- 55 -- 68 -- 73 -- 74 -- 154 -- 155-61 -- Anti-Fascist Action [AFA] -- 55 -- 68 -- 162 -- anti-racism -- 6 -- 7 -- 43 -- 66 -- 154-8 -- 'official' 162-3 -- 'official' 164 -- 'official' 167 -- 'official' 216 -- and anti-capitalism 158 -- and anti-capitalism 160.; and anti-capitalism 165 -- and education 76 -- and education 80 -- and white left 142 -- and white left 142 -- and white left 154-6 -- and white left 154-6 -- and white left 157 -- and white left 157 -- and white left 160 -- and white left 160 -- and white left 161-2 -- and white left 161-2 -- calls for tolerance 79 -- feel-good statements 66-7 -- feel-good statements 80 -- self-defence 230 -- silencing of message 59-60 -- anti-terrorism, legislation 54-5 -- antiphony -- 40 -- 41 -- Anushilan Samiti revolutionary group 190 -- Apache Indian -- 7 -- 12 -- 22 -- 32 -- 43 -- 117 -- collaboration with Maxi Priest 10-11 -- cultural identity 229-30 -- Apna Sangeet 11 -- appropriation -- 9 -- 24 -- 117-21 -- 126 -- Arranged Marriage [Apache Indian] 130 -- Arts Council funding 34 -- Asian bands -- and cultural politics 69-70 -- and militancy 67-8 -- and militancy 67-8 -- and militancy 72 -- and militancy 72 -- Asian cultural production -- 50 -- 182-3 -- 218-19 -- Asian culture -- authenticity 124 -- derivative 214 -- repackaged 116 -- repackaged 121 -- visibility 88 -- visibility 88 -- visibility 116 -- visibility 116 -- visibility 181 -- visibility 181 -- visibility 186 -- visibility 186 -- Asian Dub Foundation [ADF] -- 5 -- 32-48 -- 144 -- 184-9 -- 197-8 -- and authenticity 203-4 -- and commercial success 99 -- and commercial success 100 -- and commercial success 104 -- and commercial success 183 -- and Criminal Justice and Public Order Act [CJA] 52 -- and Criminal Justice and Public Order Act [CJA] 187 -- and globalisation 212-13 -- and hybridity 44 -- and hybridity 45 -- and media 45 -- and political identity 118 -- and politics 8 -- and politics 43-4 -- and politics 48 -- and politics 51 -- and politics 143 -- and politics 200 -- and self-defence 72-3 -- Community Music project 185.; Community Music project 186 -- Community Music project 231-2 -- Asian identity 77-8 -- Asian Kool -- 8 -- 52 -- 147 -- 182 -- 204 -- 213 -- Asian musics -- commercialisation 99-100 -- exposure through Womad festivals 22 -- in UK 99-100 -- Asian rap -- 23 -- 52 -- Asian Underground -- 99 -- 124 -- Asian youth -- criminalisation of 72 -- culture 50-1 -- politicisation of 56 -- Asian Youth Movement -- 8 -- 154 -- Asian-America -- 118-19 -- 120 -- 124 -- 135 -- assimilation -- 12 -- 121 -- 132 -- Association of Communist Workers 175 -- Atlas, Natasha -- 21 -- 22 -- Attenborough, Richard 92 -- Aurora-Madan, Sonya -- 22 -- 59 -- 60 -- 160 -- authenticity -- 8-9 -- 23 -- 41 -- 90 -- 114 -- 124-9 -- nostalgia for 52 -- racial 19-20 -- racial 19-20 -- racial 37 -- racial 37 -- Azaad 11 -- Back, Les 10-11 -- Bambury, Chris 157 -- Band Aid 26 -- Bandyopadhyay, Samik 197 -- Banerjea, Koushik -- 145 -- 147 -- Banerjee, Sumanta -- 193 -- 197 -- Bangaladesh -- 166 -- Concert for 92 -- Concert for 92 -- Concert for 151 -- Concert for 151 -- Barthes, Roland 142 -- Basu, Jyoti 193 -- Battle of Park Lane 52 -- Bauls of Bengal 23 -- Baumann, Gerd 11 -- Beatles -- 24 -- 92 -- 127 -- Bengal -- 180 -- 197 -- famine 191 -- Bengali music -- 41 -- 43 -- Bengali Revolutionary Party, Jugantar 190 -- Benn, Melissa 147 -- Bhabha, Homi -- 34 -- 37 -- 127 -- bhangra -- 9 -- 10-11 -- 47 -- 127 -- 129 -- 134 -- purism 118 -- Bharatiya Janata Party [BJP] -- 24 -- 187 -- Bidrohi [N. Islam] 44 -- Bilga, T.S. -- 148 -- 151 -- bindi, universal fashion item -- 88 -- 94 -- 121 -- 125 -- Birmingham -- ; 146-7 -- 148 -- Birmingham Indian Workers Association 175 -- Black Atlantic [Gilroy] -- 37 -- 38 -- Black Film Bulletin 38 -- Black Flag anarchists 175 -- black music, commodification of 20 -- Black Panther Party 124 -- black popular culture -- 34-5 -- 37-8 -- 40-1.; Black Star Liner 100 -- Black White [Asian Dub Foundation] 202 -- black youth, targeted by police -- 55 -- 64 -- 75-6 -- blackness -- and Asian culture 41 -- and Asian culture 50 -- constructedness of 33-4 -- Blur 183 -- body piercing -- 88 -- 121 -- Bonnett, Alastair 158 -- Borodin, Michael 190 -- Bose, Subhas Chandra -- 190 -- 191 -- Bosnia, relief aid 26 -- Bowie, David -- 90 -- 106 -- Boy George 116 -- Bradford, racist violence 60 -- Brah, Harpal 163 -- Bretton Woods organisations -- 170 -- 171 -- Brian Douglas Campaign 78 -- Brick Lane -- 147 -- 158-9 -- 182 -- 202 -- 213 -- British Board of Film Classification 59 -- British East India Company 91 -- British National Party [BNP] -- 56 -- 58 -- 66 -- 130-1 -- 163 -- banning of 68-9 -- banning of 165 -- council seat 159 -- council seat 159 -- council seat 161 -- council seat 161 -- Brockwell Park -- 159 -- 161 -- Burnsalls strikers, Birmingham -- 146-7 -- 148-9 -- 150 -- 154 -- 173 -- Butler, Mark 61 -- Buzzcocks 156 -- Calcutta 195 -- Campaign Against Militarism 67 -- capitalism -- 35 -- 145 -- 151-2 -- 226-7 -- and 'credit-baiting' 166 -- and differences 123 -- and labour 102-3 -- and labour 226 -- crises 227-8 -- equal exchange 102 -- equal exchange 103-5 -- equal exchange 125 -- equal exchange 132 -- global 79 -- global 133 -- global 141 -- global 170 -- global 225 -- intensification of 42 -- subsumption 78 -- subsumption 105 -- subsumption 122 -- subsumption 130 -- subsumption 132 -- subsumption 169 -- transition to 101-2 -- CARF [Campaign against Racism and Fascism] -- 58 -- 73 -- Castells, Manuel 43 -- Chadha, Gurinder 127 -- Chambers, Iain -- 114 -- 125-7 -- Chandrasonic 185 -- Charterhouse Posse 175 -- Chatterjee, Partha -- 195 -- 225 -- Chaudhury, Sushital Ray 195 -- Chen Kuan-Hsing 219 -- Cheops, Great Pyramid of 95-6 -- China -- 152 -- 183 -- Chow, Rey.; 114 -- 115 -- 118 -- Chumbawumba 227 -- cinema -- 118 -- 145 -- 217 -- 226 -- Clapton, Eric 155 -- Clash 156 -- class, and race 163-4 -- Cleaver, Harry 104 -- Clifford, James 41-2 -- Coca-Cola corporation 124 -- Cohen, Philip 76 -- colonialism -- 58 -- 88 -- dismantling 132 -- legacy of 115-16 -- Columbia Records 31 -- Combat -- 18 56 -- 68 -- Comintern -- 187 -- 190 -- commercialisation, and authenticity 203-4 -- Communist Party of China [CPC] -- 186 -- 193 -- 196 -- Communist Party of Great Britain [CPGB] -- 162-3 -- 164 -- 165 -- 175 -- Communist Party of India Marxist [CPI[M]] -- 193 -- 194 -- 197 -- 199 -- Communist Party of India Marxist-Leninist [CPI[ML]] -- 195 -- 196 -- 197 -- 199 -- Communist Party of India [CPI] -- 124 -- 189 -- 190 -- 191 -- 192-3 -- Communist Party [CPC] -- 186 -- 193 -- 196 -- community defence -- 65-81 -- 142 -- 159 -- and militancy 67-8 -- and militancy 72 -- and raising awareness 72-4 -- and surveillance 72 -- and surveillance 77 -- and vigilantism 70-2 -- and violence 76 -- dysfunctional aspects of 77 -- lack of support for 76 -- monitoring racial attacks 72 -- need for 66-7 -- need for 81 -- organising 74-5 -- Community Music -- 185 -- 186 -- complicity -- 8 -- 9 -- 231 -- 233 -- Condon, Paul -- 55 -- 75 -- Congress party 197 -- Congress Socialists 191 -- Conservative party, and racial violence 61-2 -- Cornershop -- 7 -- 90 -- 127 -- 143 -- Costello, Elvis -- 9 -- 156 -- cottage capitalism 25 -- creativity, industrialisation of 222 -- Criminal Justice and Public Order Act [CJA] -- 51-5 -- 60-5 -- 79 -- acquiescence of intellectuals 54-5 -- acquiescence of intellectuals 65 ; -- acquiescence of intellectuals 75-6 -- acquiescence of intellectuals 79 -- and asylum rights 99 -- and institutionalised racism 59 -- and new authoritarianism 80 -- and racism 54 -- and racism 55 -- and racism 58.; and racism 61.
• Sommario/riassunto: In this innovative book, John Hutnyk questions the meaning of cultural hybridity. Using the growing popularity of Asian culture in the West as a case study, he looks at just who benefits from this intermingling of culture. Focusing on music, race and politics, Hutnyk offers a cogently theorised critique of the culture industry. He looks at artists such as Asian Dub Foundation, FunDaMental and Apache Indian to see how their music is both produced and received. He analyses 'world' music festivals, racist policing and the power of corporate pop stars to market exotica across the globe. Throughout, Hutnyk provides a searing critique of a world that sells exotica as race relations and visibility as redress.