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Record Nr. |
UNINA9910813931603321 |
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Autore |
Fryer Peter |
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Titolo |
Rhythms of resistance [[electronic resource] ] : African musical heritage in Brazil / / Peter Fryer |
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Pubbl/distr/stampa |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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Disciplina |
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Soggetti |
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Music - Brazil - African influences |
Black people - Brazil |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Intro -- Contents -- List of Maps -- List of Fgures -- Preface -- Introduction -- Challenge singing and the Atlantic cultural triangle -- The African presence in Brazil -- The African cultural heritage in Brazil -- 'Neo- African' music in Brazil -- The sources of Brazil's 'neo-African' music -- 1. The Heritage of Nigeria and Benin: Music for Worship -- African- derived religions in Brazil -- African- Brazilian religious music -- Candomblé and carnival -- 2. The Angolan Heritage: Capoeira and Berimbau -- Training for resistance -- African prototypes of the berimbau -- The berimbau in Brazil -- 3. The 'Angola Warble': Street Cries and Worksongs -- The cities -- The countryside -- The songs of the miners -- 4. Brazil's Dramatic Dances -- Lay brotherhoods and danced processions -- Coronation ceremonies -- Palmares and the Quilombo -- The Moçambique -- Bumba-meu-boi and the power of satire -- Cambinda : a festival of liberation -- 5. Three Vanished Instruments -- The lamellophone ( marimba) -- The pluriarc ( compound bow- lute) -- The xylophone ( marimba) -- 6. The African Dance Heritage -- African dance in Brazil -- Batuque and the rural samba -- Samba: the word -- Jongo and caxambu -- The coco -- The calango -- 7. Brazil's Atlantic Dances -- The Atlantic dance tradition -- The lundu: Brazil's first national dance -- The fofa that came from Bahia -- The fado in Brazil -- 8. The Emergence of Brazilian Popular Music -- Brazil's slave orchestras -- How Brazilian popular music arose -- The modinha and the sung lundu -- The African heritage in Brazilian |
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popular music -- 9. Maxixe and Modern Samba -- Appendix A. Continuity and Change in the Music of the Kongo- Angola Culture Area -- Appendix B. African Musical Instruments in Brazil -- Appendix C. The Brazilian Musical Heritage in Nigeria and Benin -- Appendix D. The Music and Dance of Cape Verde. |
Appendix E. Relacao da fofa que veya agora da Bahia: Extract -- Description -- Extract -- Discography -- Brazil -- Africa ( including Cape Verde) -- Other areas -- Notes -- Introduction -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Chapter 5 -- Chapter 6 -- Chapter 7 -- Chapter 8 -- Chapter 9 -- Appendix A -- Appendix B -- Appendix C -- Appendix D -- Discography -- Index -- Abel, Clarke 79 -- Abel, Clarke, -- 6 -- 78 -- accent, off-beat -- 21 -- 148 -- accordion -- 5 -- 107 -- 125 -- 179-81 passim -- 183 -- 185 -- 186 -- acculturation -- 2 -- 11 -- 22 -- 56 -- 58-60 -- 91 -- 122 -- 136 -- 139 -- 148 -- 152 -- 159-60 -- adarrum rhythm -- 20 -- 178 -- advertisements referring to black musicians -- 80 -- 136 -- afoxés [semi-religious carnival groups] -- 24 -- 26 -- 71 -- 204 n.67 -- Africa -- animal and bird dances, 30 -- animal and bird dances, 94 -- religious ceremonies, 19 -- African dances in Brazil -- attempts to suppress, 23-4 -- spinning figures, 23 -- spinning figures, 48 -- spinning figures, 76 -- African-Brazilian religions -- music, 18-26 -- music, 27 -- police persecution, 13 -- police persecution, 39 -- police persecution, 199 n.6 -- syncretism with Roman Catholicism 13-14 -- syncretism with Roman Catholicism 13-14 -- syncretism with Roman Catholicism 199-200 n.8 -- syncretism with Roman Catholicism 199-200 n.8 -- Africans in Brazil -- abolition of slavery 7 -- abolition of slavery 23 -- abolition of slavery 38 -- abolition of slavery 43 -- abolition of slavery 54 -- abolition of slavery 77 -- abolition of slavery 83 -- abolition of slavery 104-6 passim -- and lay brotherhoods, 61-2 -- and lay brotherhoods, 65 -- and lay brotherhoods, 66 -- artisans, 55 -- artisans, 56 -- coronation ceremonies, 61-8 -- coronation ceremonies, 96 -- coronation ceremonies, 97 -- distribution pattern, 7-8 -- freedom fighters, 27. |
freedom fighters, 30 -- from Kongo and Angola, 5 -- from Kongo and Angola, 7 -- from Kongo and Angola, 12 -- fugitive slaves, 51 -- fugitive slaves, 68-71 -- insurrections, preparation for -- insurrections, 9 -- insurrections, 27 -- insurrections, 68 -- insurrections, 87 -- insurrections, 167 -- languages, 42-3 -- languages, 50 -- languages, 52 -- languages, 57 -- languages, 58 -- languages, 60 -- languages, 95 -- languages, 96 -- languages, 106 -- lay brotherhoods, 55-62 -- lay brotherhoods, 65 -- lay brotherhoods, 66 -- lay brotherhoods, 73 -- lay brotherhoods, 80 -- length of working day, 50 -- liberated areas, 69 -- mistreatment, 51 -- mistreatment, 68 -- musical instruments, 57 -- musical instruments, 62 -- musical instruments, 63 -- musical skills, 134-6 -- nações, in Recife 66 -- nações, 7 -- nações, 13 -- nações, 44 -- nações, 56 -- nações, 66 -- nações, 77 -- nações, 96 -- negros de ganha, 139 -- participation in dominant culture, 148 -- Prince Regent's black guard, 43 -- protest songs, see also riddle songs -- protest songs, 43 -- protest songs, 50-1 -- protest songs, 52-4 -- punishments, 68 -- religious processions, 55 -- religious processions, 56 -- religious processions, 60-1 -- religious processions, 66-7 -- resistance, 68-72 -- resistance, 87 -- riddle songs, 9-10 -- riddle songs, 50-1 -- riddle songs, 104 -- riddle songs, 105 -- sexual relations with Portuguese settlers, 121-2 -- singing on disembarkation, 40 -- slave orchestras and choirs, 2 -- slave orchestras and choirs, 134-6 -- slave orchestras and choirs, 140 -- use of Portuguese language, 41-2 -- worksongs and street |
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cries, 40-54 -- Africans in Mexico 112 -- Africans in Portugal -- 2 -- 3 -- 110 -- Africans in Spain -- 109 -- 110 -- 137 -- afro-primitivo [drumming patterns] 25 -- Agassiz, Elizabeth and Louis. |
120 -- 122 -- Aig-Imoukhede, Frank -- 171 -- quoted, 172 -- Aimard, Gustave 151 -- alabê [master drummer] -- 19 -- 20 -- Alagoas -- 7 -- 14 -- 55 -- 67 -- 69 -- 71 -- 72 -- 76 -- 106 -- 117 -- 179 -- 182 -- 221 n.21 -- Alagoas, Toninho de 180 -- Alemão, François Freire -- 125 -- 132-3 -- Alfama -- 3 -- 127 -- 132 -- Allgemeine Musikalische Zeitung, quoted -- 82 -- 90 -- 134-5 -- 149 -- 151 -- 166-8 -- Almeida, Manuel Antônio de 131-2 -- Almeida, Mauro de -- 156 -- 180 -- 185 -- Almeida, Renato -- quoted, 123 -- xiii, 50 -- xiii, 143 -- xiii, 165 -- Alvarenga, Oneyda -- xiii -- 67-8 -- Alvares d'Almada, André 111 -- Alves, Francisco -- 157 -- 183 -- 185 -- Amado, Jorge 71 -- Amazonas -- 7 -- 15 -- 17 -- 21 -- 76 -- 95 -- 163 -- Amazônia -- 178-9 -- 221 n.21 -- Amerindian deities and religions 15-17 passim -- Amerindians -- 118 -- Guaraní, 39 -- in Brazil, 5 -- in Brazil, 9 -- in Brazil, 70 -- in Brazil, 72-5 passim -- in Brazil, 136 -- in Brazil, 168 -- in Brazil, 182-5 passim -- in Brazil, 202 n.26 -- in Brazil, 220 n.2 -- in Brazil, 221 n.21 -- in Mexico, 112 -- in Paraguay, 39 -- use of berimbau, 39 -- Anatómico Jocoso 132 -- Anderson, Robert Nelson 72 -- Andrade, Mário de -- xiii -- 10 -- 55 -- 102 -- 107 -- 125 -- 129 -- 141 -- 155-6 -- 165 -- 180 -- Andrews, Christopher Columbus 150 -- Angola [berimbau pattern] -- 38-9 -- 39 -- Angola [nação] 7 -- Angola [state] -- 3 -- 5 -- 7 -- 11 -- 14 -- 17 -- 18 -- 26 -- 27 -- 29-30 -- 30 -- 83 -- 103 -- 104 -- 121 -- 134 -- 138 -- 157 -- Ambriz blacks, 97 -- arrival of Portuguese, 27 -- arrival of Portuguese, 158 -- Baluba, 37 -- Bena Luluwa, 79 -- Benguela, 3 -- Benguela, 7 -- Benguela, 34 -- Benguela, 97 -- Cabinda, 77 -- dances, 96 -- dances, 97-8 -- dances, 119 -- defined, 158 -- Handa, 32-3 -- initiation ceremonies, 28 -- initiation ceremonies, 30. |
languages, see alsoKimbundu language -- languages, Kikongo language -- languages, Ngangela language -- languages, Umbundu language -- languages, 57 -- languages, 66 -- Libolo, 37 -- Luanda, 3 -- Luanda, 30 -- Luanda, 67 -- Luanda, 97 -- Luanda, 98 -- Luanda, 158 -- Luanda, 159 -- Lunda, 33-4 -- Lunda, 37 -- Lunda, 74 -- Lunda, 159 -- Mbamba, 97 -- Mbangala, 34 -- Mbundu, 67 -- military bands, 159 -- Mucope, ngolo zebra dance -- Mucope, 30 -- Mucope, 30 -- Musurongo, 97 -- Muílas, 206 n.29 -- nganga a nzumbi, 70 -- Ngumbi, 28 -- Ngumbi, 32-3 -- Ovimbundu [Mbunda], 33 -- Ovimbundu [Mbunda], 34 -- Ovimbundu [Mbunda], 158 -- Portuguese musical influence, 138 -- Portuguese musical influence, 158 -- Portuguese musical influence, 159 -- Portuguese travellers' accounts of music, 111 -- Shinje, 34 -- Sorongo, 97 -- Tshokwe [or Chokwe], 187 -- Tshokwe [or Chokwe], 187 -- Tshokwe [or Chokwe], 239 n.27 -- Tshokwe [or Chokwe], 239 n.27 -- Anjos, Mestre Paulo dos 39 -- Anthony, St 14 -- Ara Ketu [bloco afro] 24 -- Arabs -- in Iberian peninsula, 1 -- in Iberian peninsula, 2 -- in Iberian peninsula, 4 -- in Portugal, 2 -- in Portugal, 4 -- literary debates, 2 -- literary debates, 192 n.8 -- musical instruments, 2 -- musical instruments, 2 -- musical instruments, 4 -- musical instruments, 4 -- musical instruments, 10 -- musical instruments, 10 -- Aragão, José de Sousa 147 -- Araújo, Alceu Maynard 73 -- Araújo, Damião Barbosa de 146 -- Arcos, Count of 96 -- Aretino, Pietro -- 123 -- 228 n.678 -- Argentina -- cueca, 109 -- habanera, 237 n.5 -- tango, 154 -- tango, 154 -- tango, 155 -- tango, 155 -- Armandinho [Salgado Armando Freire] 189 -- Assier, Adolphe d' 90-1 |
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-- astrology 17 -- Atilla, The 190 -- Atlantic cultural triangle -- musical melting pots, 137 -- role of black seafarers, 138 -- xi, 3. |
xi, 11. |
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Sommario/riassunto |
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An absorbing account of the influence of African rhythms on contemporary black Brazilian music and the development of music world wide. |
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