1.

Record Nr.

UNINA9910813784003321

Autore

Armstrong Rebecca

Titolo

Ovid and his love poetry / Rebecca Armstrong

Pubbl/distr/stampa

London, : Duckworth, 2005

ISBN

1-4725-0246-9

1-4725-3997-4

1-4725-0245-0

Edizione

[1st ed.]

Descrizione fisica

1 online resource (221 p.)

Collana

Classical literature and society

Disciplina

871.01

Soggetti

Love poetry, Latin

Elegiac poetry, Latin

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index

Nota di contenuto

Cover; Contents; Preface; Introduction; 1. Ovid and His Predecessors; 2. The Ovidian Narrator; 3. Erotic Objects; 4. Mythology; 5. Roma Amor: The City of Love; 6. The Future of Love; Notes; Bibliography; Index of Passages; General Index; A; B; C; D; E; F; G; H; I; J; L; M; N; O; P; R; S; T; U; V; W

Sommario/riassunto

"Ovid devoted about half of his poetic career to the production of several collections of amatory verse, all composed in elegiac couplets. Indeed, his irrepressible interest in love, sex and elegiac poetry is one of the defining features of his entire output. Here Rebecca Armstrong offers a thematic examination of some important aspects of the Amores, Ars Amatoria and Remedia Amoris. Starting from an investigation of the narrator's self-creation and presentation of other characters within his amatory verse, she assesses the importance of mythical and contemporary reference, as well as the influence of the erotic on Ovid's later works. By looking at the Ars and Remedia alongside the Amores, the continuities and contradictions in the poet's elegiac outlook are revealed, and a complex picture is formed of the Ovidian world of love. Ovid's erotic works present the reader with a glimpse inside the minds of both poets and lovers, mediated through eyes which are frequently inclined to comedy and even cynicism, but always sharp, perceptive and above all fascinated by human behaviour."



--Bloomsbury Publishing

Ovid devoted about half of his poetic career to the production of several collections of amatory verse, all composed in elegiac couplets. Indeed, his irrepressible interest in love, sex and elegiac poetry is one of the defining features of his entire output. Here Rebecca Armstrong offers a thematic examination of some important aspects of the Amores, Ars Amatoria and Remedia Amoris. Starting from an investigation of the narrator's self-creation and presentation of other characters within his amatory verse, she assesses the importance of mythical and contemporary reference, as well as the influence of the erotic on Ovid's later works. By looking at the Ars and Remedia alongside the Amores, the continuities and contradictions in the poet's elegiac outlook are revealed, and a complex picture is formed of the Ovidian world of love. Ovid's erotic works present the reader with a glimpse inside the minds of both poets and lovers, mediated through eyes which are frequently inclined to comedy and even cynicism, but always sharp, perceptive and above all fascinated by human behaviour