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Record Nr. |
UNINA9910813458903321 |
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Autore |
Hill Edwin C. <1971-> |
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Titolo |
Black soundscapes white stages : the meaning of Francophone sound in the black Atlantic / / Edwin C. Hill Jr |
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Pubbl/distr/stampa |
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Baltimore, Md., : Johns Hopkins University Press, c2013 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (191 p.) |
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Collana |
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The Callaloo African Diaspora Series |
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Disciplina |
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Soggetti |
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West Indian literature (French) - History and criticism |
Sound (Philosophy) |
African diaspora in literature |
Black people - West Indies, French - Music - History |
Beguines (Music) - West Indies, French - History |
West Indies, French Colonization |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction: Le tumulte noir (pt I): French imperial soundscapes and the New World -- "Adieu madras, adieu foulard": the Doudou's colonial complaint -- "To begin the Biguine": remembering Antillean musical time -- La Baker: Princesse Tam Tam and the Doudou's signature dilemma -- Negritude drum circles: the Tam-Tam and the beat -- Le poste colonial and technologies of the minor -- Conclusion: "Notes from the sound field". |
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Sommario/riassunto |
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As the first in Johns Hopkins's new series on the African Diaspora, this book offers new insight into the legacies of these exceptional artists and their global influence. |
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