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Record Nr. |
UNINA9910813245303321 |
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Autore |
Rozwadowski Andrzej |
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Titolo |
Visual Culture, Heritage and Identity |
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Pubbl/distr/stampa |
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Oxford : , : Archaeopress, , 2021 |
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©2021 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (150 pages) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Cover -- Title Page -- Copyright page -- Contents Page -- A Brief Note about the Editors -- Using Rock Art to Reconnect Past and Present: An Introduction -- Andrzej Rozwadowski and Jamie Hampson -- Indigenous Art in New Contexts: Inspiration or Appropriation? -- Jamie Hampson and Rory Weaver -- The Cave of Altamira and Modern Artistic Creation -- Pilar Fatás Monforte -- Joane Cardinal-Schubert: Ancient Contemporary -- Alisdair MacRae -- Face to Face with Ancestors: Indigenous Codes in the Contemporary Art of Siberia -- Magdalena Boniec and Andrzej Rozwadowski -- Contemporary Views on Rock Art from Within the Frame: Indigenous Cultural Continuity and Artistic Engagement with Rock Art -- Marisa Giorgi and Dale Harding -- PalimpsGestures: Rock Art and the Recreation of Body Expression -- PalimpsGestures: Rock Art and the Recreation of Body Expression -- Lina do Carmo -- In the Name of the Ancestors: Repainted Identities and Land Memories -- Laura Teresa Tenti -- Muraycoko Wuyta'a Be Surabudodot / Ibararakat: Rock Art and Territorialization in Contemporary Indigenous Amazonia - the Case of the Munduruku People from the Tapajos River -- Jairo Saw Munduruku, Eliano Kirixi Munduruku and Raoni Valle -- Appropriation, Re-Appropriation, Reclamation: The Re-Use of New Zealand's Most Renowned Māori Rock Art -- Gerard O'Regan -- Reproduction, Simulation and the Hyperreal: A Case Study of 'Lascaux III' 2015-2017 -- Robert J. Wallis. |
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Sommario/riassunto |
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This book presents a fresh perspective on rock art by considering how |
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ancient images function in the present. It focuses on how ancient heritage is recognized and reified in the modern world, and how rock art stimulates contemporary processes of cultural identity-making. |
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