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1. |
Record Nr. |
UNISA996586269203316 |
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Autore |
Krebs Alexandra Katharina |
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Titolo |
Geschichten im digitalen Raum : Historisches Lernen in der "App in die Geschichte" / / Alexandra Katharina Krebs |
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Pubbl/distr/stampa |
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München ; ; Wien : , : De Gruyter Oldenbourg, , [2024] |
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©2024 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (XII, 337 p.) |
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Collana |
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Medien der Geschichte , , 2569-7625 ; ; 7 |
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Soggetti |
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HISTORY / Study & Teaching |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter -- Vorwort -- Inhaltsverzeichnis -- Abbildungsverzeichnis -- 1 Einleitung -- 2 Theoretische und empirische Grundlagen -- 3 Konzeption der App in die Geschichte -- 4 Forschungsmethoden -- 5 Nutzer*innen-Typen der ,App in die Geschichte' -- 6 Differenzierungsmerkmale historischen Erzählens in der App -- 7 Typen historischen Erzählens in der App -- 8 Fazit und Ausblick -- Literatur -- Aufgabenstellungen in der App -- Akten im digitalen Archiv der App aus dem Hauptarchiv der v. Bodelschwinghschen Stiftungen Bethel in Bielefeld |
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Sommario/riassunto |
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Im Zeitalter der Digitalität stellt sich weniger die Frage, ob historisches Lernen im digitalen Raum relevant ist, sondern vielmehr, wie dieses zu modellieren ist. Alexandra Krebs entwickelt in ihrer Arbeit hierfür ein theoretisches Konzept und konkretisiert dieses in der digitalen Lernplattform "App in die Geschichte". Lernende können darin in Kooperation mit Archiven und mithilfe digitaler Tools eigene Forschungsprojekte durchführen. Im Zentrum stehen Prinzipien der Kontroversität, Multiperspektivität und Pluralität sowie der Projekt- und Archivarbeit, welche die Autorin mit den Potenzialen des digitalen Raumes zu einem re-konstruktiven Lernprozess zusammenführt. Diesen untersucht sie zudem am Beispiel des "Bethel-Moduls" der Plattform, welches aktuelle Debatten über Eugenik, "Euthanasie" und Zwangssterilisation in der NS-Zeit thematisiert. Sie identifiziert in einem Mixed-Method Design und mithilfe der qualitativen |
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Inhaltsanalyse sowie Machine Learning Algorithmen verschiedene Typen der App-Nutzung als auch Typen historischen Erzählens. Diese liefern nicht nur Erkenntnisse über die Nutzung der App, sondern grundsätzlich über Lernprozesse im digitalen Raum, die Gestaltung zukünftiger Angebote sowie digitale Forschungsmethoden. |
In the age of digitality, the question is not so much whether learning about history is relevant in the digital space but how it should be modeled. In this volume, Alexandra Krebs develops a theoretical concept for such a model, which takes shape in her design of the digital learning platform "App in die Geschichte" (App into History). She also conducts an empirical inquiry into how learners use the app and how they collectively narrate history. |
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2. |
Record Nr. |
UNINA9910813229603321 |
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Autore |
D'Annunzio Gabriele <1863-1938.> |
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Titolo |
Notturno / / Gabriele D'Annunzio ; translated and annotated by Stephen Sartarelli ; preface by Virginia Jewiss |
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Pubbl/distr/stampa |
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New Haven, CT, : Yale University Press, c2012 |
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ISBN |
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1-280-57161-6 |
9786613601216 |
0-300-16016-X |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (320 p.) |
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Collana |
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Margellos world republic of letters |
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Altri autori (Persone) |
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SartarelliStephen <1954-> |
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Disciplina |
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Soggetti |
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Authors, Italian - 20th century |
Life change events |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Frontmatter -- Contents -- Preface -- Note on the Translation -- First Offering -- Second Offering -- Third Offering -- Post Scriptum -- Appendix -- Notes |
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Sommario/riassunto |
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Composed during a period of extended bed rest, Gabriele D'Annunzio's Notturno is a moving prose poem in which imagination, experience, and remembrance intertwine. The somber atmosphere of the poem |
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reflects the circumstances of its creation. With his vision threatened and his eyes completely bandaged, D'Annunzio suffered months of near-total blindness and pain-wracked infirmity in 1921, and yet he managed to write on small strips of paper, each wide enough for a single line. When the poet eventually regained his sight, he put together these strips to create the lyrical and innovative Notturno.In Notturno D'Annunzio forges an original prose that merges aspects of formal poetry and autobiographical narrative. He fuses the darkness and penumbra of the present with the immediate past, haunted by war memories, death, and mourning, and also with the more distant past, revolving mainly around his mother and childhood. In this remarkable translation of the work, Stephen Sartarelli preserves the antiquated style of D'Annunzio's poetic prose and the tension of his rich and difficult harmonies, bringing to contemporary readers the full texture and complexity of a creation forged out of darkness. |
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