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Record Nr. |
UNINA9910813091903321 |
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Autore |
Hurston Zora Neale |
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Titolo |
Zora Neale Hurston : collected plays / / edited and with an introduction by Jean Lee Cole and Charles Mitchell |
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Pubbl/distr/stampa |
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New Brunswick, N.J., : Rutgers University Press, c2008 |
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ISBN |
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1-281-77643-2 |
9786611776435 |
0-8135-4512-9 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (424 p.) |
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Collana |
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Multi-ethnic literatures of the Americas |
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Altri autori (Persone) |
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ColeJean Lee |
MitchellCharles <1967-> |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Front matter -- Contents -- Acknowledgments -- Chronology -- Introduction: Zora Neale Hurston-A Theatrical Life -- A note on the text -- Meet The Mamma (1925) -- Color Struck (1926) -- Spears (1926) -- The First One (1927) -- Cold Keener (1930) -- De Turkey and De Law (1930) -- The Sermon in The Valley (1931) -- Four Plays from Fast and Furious (1931) -- The Fiery Chariot (1932) -- Spunk (1935) -- Polk County (1944) -- Appendix: Programs from The Great Day, From Sun to Sun, and All de Live Long Day -- Explanatory Notes -- Bibliography -- About the Editors |
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Sommario/riassunto |
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Though she died penniless and forgotten, Zora Neale Hurston is now recognized as a major figure in African American literature. Best known for her 1937 novel Their Eyes Were Watching God, she also published numerous short stories and essays, three other novels, and two books on black folklore. Even avid readers of Hurston's prose, however, may be surprised to know that she was also a serious and ambitious playwright throughout her career. Although several of her plays were produced during her lifetime-and some to public acclaim-they have languished in obscurity for years. Even now, most critics and historians gloss over these texts, treating them as supplementary material for understanding her novels. Yet, Hurston's dramatic works stand on their |
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own merits and independently of her fiction. Now, eleven of these forgotten dramatic writings are being published together for the first time in this carefully edited and annotated volume. Filled with lively characters, vibrant images of rural and city life, biblical and folk tales, voodoo, and, most importantly, the blues, readers will discover a "real Negro theater" that embraces all the richness of black life. |
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