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Record Nr. |
UNINA9910813039103321 |
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Autore |
Harrison Thomas <1969-> |
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Titolo |
The emptiness of Asia : Aeschylus' Persians and the history of the fifth century / Thomas Harrison |
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Pubbl/distr/stampa |
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London, : Duckworth, 2000 |
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ISBN |
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1-350-11343-3 |
1-4725-4028-X |
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Descrizione fisica |
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1 online resource (194 pages) |
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Disciplina |
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Soggetti |
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War and literature |
Greek drama (Tragedy) |
Greece |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index |
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Nota di contenuto |
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pt. I. Framing the play -- pt. II. Finding Athens -- pt. III. Conclusions |
Acknowledgements -- Abbreviations -- Introduction -- Part I. Framing the play -- 1. Aeschylus the historian? -- 2. Politics and partisanship -- 3. Aeschylus, Atossa and Athenian ideology -- Part II. Finding Athens -- 4. The use and abuse of Persia -- 5. Where is Athens? -- 6. Athens and Greece -- 7. The emptiness of Asia -- 8. Democracy and tyranny -- Part III. Conclusions -- 9. Themistocles and Aristides -- 10. Athens and Persia -- Notes -- Bibliography -- Index |
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Sommario/riassunto |
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"This is a literary study of Aeschylus' Persians alongside Herodotus' Histories, which offers a comprehensive understanding what actually happened at the battle of Salamis and afterwards. Thomas Harrison examines the political and ideological motivating factors underpinning Persai in the context of the times. Aeschylus' Persians is not only the first surviving Greek drama. It is also the only tragedy to take for its subject historical rather than mythical events: the repulse of the army of Xerxes at Salamis in 480 B.C. It has frequently been mined for information on the tactics of Salamis or the Greeks' knowledge of Persian names or institutions, but it also has a broader value, one that has not often been realised. What does it tell us about Greek representations of Persia, or of the Athenians' self-image? What can we |
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glean from it of the politics of early fifth-century Athens, or of the Athenians' conception of their empire? How, if at all, can such questions be approached without doing violence to the Persians as a drama? What are the implications of the play for the nature of tragedy?"--Bloomsbury Publishing |
This is a literary study of Aeschylus' Persians alongside Herodotus' Histories, which offers a comprehensive understanding what actually happened at the battle of Salamis and afterwards. Thomas Harrison examines the political and ideological motivating factors underpinning Persai in the context of the times. Aeschylus' Persians is not only the first surviving Greek drama. It is also the only tragedy to take for its subject historical rather than mythical events: the repulse of the army of Xerxes at Salamis in 480 B.C. It has frequently been mined for information on the tactics of Salamis or the Greeks' knowledge of Persian names or institutions, but it also has a broader value, one that has not often been realised. What does it tell us about Greek representations of Persia, or of the Athenians' self-image? What can we glean from it of the politics of early fifth-century Athens, or of the Athenians' conception of their empire? How, if at all, can such questions be approached without doing violence to the Persians as a drama? What are the implications of the play for the nature of tragedy? |
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