A war of songs : popular music and recent Russia-Ukraine relations / / Arve Hansen [and three others] ; with a foreword by Artemy Troitsky

• Record Nr.: UNINA9910812931403321
• Autore: Hansen Arve
• Pubbl/distr/stampa: Stuttgart, Germany : , : ibidem-Verlag, , [2019]; ©2019
• ISBN: 3-8382-7173-4
• Descrizione fisica: 1 online resource (247 pages)
• Collana: Soviet and post-Soviet politics and society ; ; Volume 203
• Disciplina: 303.482477047
• Soggetti: Popular music - Political aspects - Ukraine; Popular music - Political aspects - Russia (Federation); Ukraine Relations Russia (Federation); Russia (Federation) Relations Ukraine
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Intro -- Contents -- List of Tables and Pictures -- Quoted lyrics -- Glossary -- Abbreviations -- Acknowledgements and Technicalities -- Foreword -- Introduction -- 1 Pop Rock, Ethno-Chaos, Battle Drums and a Requiem: The Soundtrack of the Ukrainian Revolution -- 1.1 Music and the History of Protests in Ukraine -- 1.2 The Main Locations of Protest Music -- 1.2.1 The 'Political' Camp -- 1.2.2 The 'Apolitical' Camp -- 1.2.3 The Anti-Maidan Camp -- 1.2.4 Social Media -- 1.3 The Five Phases of Euromaidan -- 1.3.1 Rise up! (21 - 19 November 2013) -- 1.3.2 Vitia, Goodbye! (30 November 2013 - 15 January 2014) -- 1.3.3 The Burning Tyre (16 January - 20 February 2014) -- 1.3.4 There Swims a Duckling (21 - 23 February 2014) -- 1.3.5 Warriors of Light (23 February 2014 and beyond) -- 1.4 Common Features and General Tendencies -- 1.5 The Many Anthems of the Euromaidan -- 1.6 The Power of Music -- 2 Euromaidan's Aftermath and the Genre of Answer Song: A Musical Dialogue Between Antagonists? -- 2.1 Responses to New Base Songs -- 2.2 Reworkings of Old Base Songs -- 2.3 Conclusion -- 3 Exposing the Fault Lines Beneath the Kremlin's Restorative Geopolitics: Russian and Ukrainian Parodies of the Russian National Anthem -- 3.1 A brief history of the Russian national anthem ; -- 3.1.1 From "Gimn partii bol'shevikov" to "Rossiia sviashchennaia" - Melody and Lyrics -- 3.1.2 An Inviting Target -- 3.1.3 The Anthem's Fatherland and Presentist Utopia -- 3.2 The Parodies -- 3.2.1 Parody 1: The Veteran Dissident's Anthem -- 3.2.2 Parody 2: The Russian Anthem as Religious ecoNOMism -- 3.2.3 Parody 3: The Unofficial Anthem of the Russian Official -- 3.2.4 Parody 4: Death to the Empire! -- 3.2.5 Parody 5: The Verdict of the Singing Truck Driver -- 3.2.6 Parody 6: Framing is Everything - The Sebastopol Apocryph.; 3.2.7 Bonus Track: A Grain of Truth and the Ideology of Masturbation -- 3.3 Conclusion -- 4 'Lasha Tumbai', or 'Russia, Good-Bye'? - The Eurovision Song Contest as a Post-Soviet Geopolitical Battleground -- 4.1 Previous Research and Historical Context -- 4.2 GreenJolly and the ESC in the Orange Revolution aftermath -- 4.3 Dancing Russia Good-Bye - Verka Serdiuchka and the 2007 ESC -- 4.4 We Don't Wanna Put In - The 2009 ESC in Moscow -- 4.5 A Million Voices: Euromaidan's Impact on the ESC Stages -- 4.6 1944 or 2014? Jamala and Crimea -- 4.7 Celebrating Diversity with Iuliia Samoilova - The ESC in Kyiv 2017 -- 4.8 Conclusion -- Concluding Remarks and Possible Future Prospects -- References -- Bibliography -- Filmography and music videos -- Personal communication -- Index.