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Record Nr. |
UNISA996509267903316 |
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Titolo |
Handbook of digital public history / / edited by Serge Noiret, Mark Tebeau, and Gerben Zaagsma |
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Pubbl/distr/stampa |
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Boston, Massachusetts : , : De Gruyter Oldenbourg, , [2022] |
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©2022 |
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ISBN |
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9783110430295 |
9783110439229 |
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Descrizione fisica |
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1 online resource (564 pages) |
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Collana |
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De Gruyter Reference Ser. |
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Disciplina |
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Soggetti |
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History, Modern - 20th century |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter -- Contents -- Introduction -- Part 1: Historiography -- The Historiographical Foundations of Digital Public History -- Crowdsourcing and User Generated Content: The Raison d’Être of Digital Public History -- Sharing Authority in Online Collaborative Public History Practices -- Shifting the Balance of Power: Oral History and Public History in the Digital Era -- Digital Public Archaeology -- Identities – a historical look at online memory and identity issues -- Digital Environmental Humanities -- Combining Values of Museums and Digital Culture in Digital Public History -- Open Access: an opportunity to redesign scholarly communication in history -- Past and Present in Digital Public History -- Digital Hermeneutics: The Reflexive Turn in Digital Public History? -- Part 2: Contexts -- Archivists as Peers in Digital Public History -- History Museums: Enhancing Audience Engagement through Digital Technologies -- Interactive Museum & Exhibitions in Digital Public History Projects and Practices: An Overview and the Unusual Case of M9 Museum -- Digital Public History in Libraries -- Publishing Public History in the Digital Age -- “Learning Public History by doing Public History” -- Spaces: What’s at Stake in Their Digital Public Histories? -- Digital Public History in the United States -- Technology and Historic Preservation: Documentation and Storytelling -- Social Media: Snapshots in Public History -- Part 3: Best |
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Practices -- Curation: Toward a New Ethic of Digital Public History -- Data Visualization for History -- Mapping and Maps in Digital and Public History -- Gaming and Digital Public History -- Individuals in the Crowd: Privacy, Online Participatory Curation, and the Public Historian as Private Citizen -- Building Communities, Reconciling Histories: Can We Make a More Honest History? -- Cybermemorials: Remembrance and Places of Memory in the Digital Age -- Living History: Performing the Past -- Activist Digital Public History -- Digital Public History: Family History and Genealogy -- Digital Personal Memories: The Archiving of the Self and Public History -- Planning with the Public: How to Co-develop Digital Public History Projects? -- As Seen through Smartphones: An Evolution of Historic Information Embedment -- Part 4: Technology, Media, Data and Metadata -- What does it Meme? Public History in the Internet Memes Era -- Historical GIS -- Content Management -- Linked Open Data & Metadata -- Big Data and Public History -- Modeling Data Complexity in Public History and Cultural Heritage -- History and Video Games -- Historians as Digital Storytellers: The Digital Shift in Narrative Practices for Public Historians -- The Audiovisual Dimension & the Digital Turn in Public History Practices -- Digital Public History and Photography -- Exploring Large-Scale Digital Archives – Opportunities and Limits to Use Unsupervised Machine Learning for the Extraction of Semantics -- Infographics and Public History -- List of Contributors |
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Sommario/riassunto |
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This handbook provides a systematic overview of the present state of international research in digital public history. Individual studies by internationally renowned public historians, digital humanists, and digital historians elucidate central issues in the field and present a critical account of the major public history accomplishments, research activities, and practices with the public and of their digital context. The handbook applies an international and comparative approach, looks at the historical development of the field, focuses on technical background and the use of specific digital media and tools. Furthermore, the handbook analyzes connections with local communities and different publics worldwide when engaging in digital activities with the past, indicating directions for future research, and teaching activities. |
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2. |
Record Nr. |
UNINA9910812837503321 |
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Autore |
Reeve Matthew M. |
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Titolo |
Gothic architecture and sexuality in the circle of Horace Walpole / / Matthew M. Reeve |
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Pubbl/distr/stampa |
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University Park, Pennsylvania : , : The Pennsylvania State University Press, , [2020] |
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©2020 |
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ISBN |
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9780271086590 |
0-271-08657-2 |
0-271-08659-9 |
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Descrizione fisica |
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1 online resource (363 pages) |
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Disciplina |
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Soggetti |
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Gothic revival (Architecture) - England |
Homosexuality and architecture - England - History - 18th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front matter -- Contents -- List of Illustrations -- Preface: Medievalism, Modernity, and the History of Sexuality -- Abbreviations -- Introduction -- 1. The New Medievalism CONSTRUCTING THE GOTHIC IN THE CIRCLE OF HORACE WALPOLE -- 2. Horace Walpole’s Strawberry Hill -- 3. Queer Family Romance in the Strawberry Hill Collection -- 4. Dicky Bateman and the Gothicization of Old Windsor -- 5. “The Spirit of Strawberry-Castle” DONNINGTON GROVE, THE VYNE, AND LEE PRIOR Y -- 6. From Strawberry Hill Gothic to the Gothic Revival -- Notes -- Bibliography -- Index |
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Sommario/riassunto |
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Gothic Architecture and Sexuality in the Circle of Horace Walpole shows that the Gothic style in architecture and the decorative arts and the tradition of medievalist research associated with Horace Walpole (1717–1797) and his circle cannot be understood independently of their own homoerotic culture. Centered around Walpole’s Gothic villa at Strawberry Hill in Twickenham, Walpole and his “Strawberry Committee” of male friends, designers, and dilettantes invigorated an extraordinary new mode of Gothic design and disseminated it in their own commissions at Old Windsor and Donnington Grove in Berkshire, Lee |
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Priory in Kent, the Vyne in Hampshire, and other sites. Matthew M. Reeve argues that the new “third sex” of homoerotically inclined men and the new “modern styles” that they promoted—including the Gothic style and chinoiserie—were interrelated movements that shaped English modernity. The Gothic style offered the possibility of an alternate aesthetic and gendered order, a queer reversal of the dominant Palladian style of the period. Many of the houses built by Walpole and his circle were understood by commentators to be manifestations of a new queer aesthetic, and in describing them they offered the earliest critiques of what would be called a “queer architecture.” Exposing the role of sexual coteries in the shaping of eighteenth-century English architecture, this book offers a profound and eloquent revision to our understanding of the origins of the Gothic Revival and to medievalism itself. It will be welcomed by architectural historians as well as scholars of medievalism and specialists in queer studies. |
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